Showing posts with label Vodun. Show all posts
Showing posts with label Vodun. Show all posts

Sunday, May 10, 2026

Vodou Hermeneutics and Vodou's Transatlantic History

Although it took a while, we have finally finished A Transatlantic History of Haitian Vodou: Rasin Figuier, Rasin Bwa Kayiman, and the Rada and Gede Rites by Benjamin Hebblethwaite. An ambitious work, Hebblethwaite explores the African background of the Rada and Gede rites in Haitian Vodou. Using what he terms Vodou hermeneutics, Hebblethwaite draws from ethnomusicology, linguistics, history, and other fields to explore Vodun in Benin as a source (and foil) for Vodou in Saint Domingue (and Haiti). Although previous generations of Haitian ethnologists or foreign academics have explored the African background of Vodou, observable to some extent already in Duverneau Trouillot's ethnographic sketch, Hebblethwaite seeks to explore more seriously African history and religious cultures. This means that the book is structurally divided into two halves, focusing on Vodun in Benin and Vodou songs in Haiti read through the author's "Vodou hermeneutics.'

The first two chapters focus on the historical context of Vodun in Benin, particularly Allada, Hueda and Dahomey. This historical context is key for understanding what the author sees as royalist Vodun tied to the slave trading states of Dahomey, Allada and Vodou versus the communal or local Vodun cults or traditions of victims of the slave raids. Unsurprisingly, in Haiti, where many victims of these slave raids were eventually trafficked through the French slave traders on the Slave Coast, the more familial or communal aspects of Vodun were more relevant for the development of Vodou. That said, elements of Haitian Vodou retain, perhaps, memories of Agaja of Dahomey. But this intervention here is key for understanding why some African "traditional" religions in Saint Domingue were associated with rebellion, as dissident Vodun priests or groups were sometimes targeted by Dahomey for enslavement and export. Indeed, Hebblethwaite compares the royalist Vodun slave trading states like Dahomey to the royalist Catholic French slave traders and enslavers, with our ancestors as the victims of both. Of course, one could also explore why, if what became Vodou in Haiti was not marked by royalist sentiments, why is it that many of the hieratic titles used in Vodouist groups, rara bands or other manifestations of Haitian popular culture featured kings, queens, generals, and the like?

Overall, these two chapters on the politics and practice of Vodun in the Slave Coast are the richest chapters of the text. While one has some quibbles over the author's interpretation of Dahomey's origins and its relations with Allada, Hueda and other polities, he demonstrates how Vodun was inextricably tied to power and community (Law and other historians specializing in this region seem more skeptical or ambivalent on the traditions of Dahomey tying their royal dynasty to Allada, as well as other traditions of origin). This included slave raids, conquests, the incorporation of foreign Vodun into the expansionist Dahomey state, and the proliferation of Vodun cults through migration and refuge. In Saint Domingue, the victims of these processes who were sold to the French inherited these practices. As for why the Rada and Gede rites became so prominent in Sèvis Ginen, the structure of Vodun and its ability to incorporate new or "foreign" ideas and concepts provided a foundation for Vodou. This surely cannot be merely a result of the timing of the arrival of huge numbers of "Arada" captives in Saint Domingue (though it probably played a role). After all, if the timing of arrival was such a significant factor, why is it that the Senegambian and Upper Guinean African "nations" have less influence in the formation of Vodou? 

This is also relevant to the Central African influence, which the author admits has a huge legacy in Haitian Vodou. And while their numbers may have increased exponentially later in the 1700s, the impact of Kongo Catholicism and other religious traditions from West Central Africa must be considered as foundational to the development of Haitian religion. Indeed, even Allada, whose own history of relations with Portugal and Catholicism are worth exploring, may provide signs of Catholic influence in the formation of Vodou in the African past. We can only hope Hebblethwaite or other writers explore these dimensions of Haitian Vodou's transatlantic past.

The last two sections of the book shift to analysis of songs. The Rasin Figuier recordings are fascinating examples of not only retentions of Vodun spirits, Fon or Aja words, but reworkings of Aja-Fon concept and theology. The fourth chapter's analysis of songs from the Gede Rite, however, are less successful. Despite offering a persuasive case for a Gedevi or Gedevi-Yoruba origin for the rite, the historical Gedevi are less visible in the book's historical chapters. Although undoubtedly due to their conquest, absorption and sale to Europeans, the lack of clarity regarding these peoples hinders a deeper historical context for them. The Gede spirits are numerous in Haiti, and while they too reflect African origins, they appear very much Creolized with Miragoane being the source of some (according to Vodou myth). Despite their prominence and their irreverent allusions to sexuality, death, or taboo-busting possessions, the Gedevi connection appears elusive. It also didn't help that many of the Gede songs analyzed here, while lamenting or criticizing social inequality, remind one of the role of "signifying" and tricksters in African American culture. In short, it's less revolutionary or egalitarian than some would like to think...

In spite of the issues with the final two chapters, it is wise to see Hebblethwaite's Vodou Hermeneutics as an analytical tool for a work in progress. With so many rites and traditions of Haitian Vodou to explore, as well as the larger histories of West and Central Africa to help contextualize it, one can only hope the Nago, Kongo, and other rites receive their due for a more comprehensive study of Vodou. One should also extend the field of analysis to more sections of Haiti to see which areas have preserved or maintained some traditions rather than others, and what the impact of urbanization and migration was on those regions. As always, the analysis must include linguistics, African and Haitian history, religious studies, and other fields for an interdisciplinary approach.

Friday, April 24, 2026

Favorite Pictures from Le vodou fon dans le Royaume d'Allada

  

Although the quality of the images and the binding of the book made it difficult to use or interpret all the photos in Le vodou fon dans le Royaume d'Allada (Bas-Dahomey): ses images et ses symboles, we had some favorites from the bunch. A very short book comprised of photographs by Montilus and short captions describing them, all centered on Fon Vodou in Allada, there are some striking images. Some depict animal sacrifice, temples, various types of priests or priestesses, hunsi and sacred drums, or people tied to the Allada court. Unsurprisingly, the priests affiliated with royal cults seem to have the finest and most elaborate styles of dress.

The "traditional king" of Allada even appears in one photo. Presumably this is a Adjahuto, descendants of a figure appointed by the king of Dahomey after the Dahomian conquest of Allada in the 1720s.

One photo that was partly cut off by the binding showed a vast crowed gathered for a prayer by a temple associated with the kings of Allada. 

Some of the photos of Vodou temples were grainy, but this one is quite clear. It appears to lack any figurative paintings but the different patterns on the exterior wall presumably have some meaning not explained by Montilus.

The dokpe of Allada are sort of our like cumbite but in the Fon context also involved in burials or funeral services.

bokono is also included. In the Fon context, they are specialists in Fa or Ifa divination. We still consider it intriguing that this sense of the word has been lost in Haiti and boko became a term for sorcerers.

Unfortunately, Montilus did not provide much detail on the Allada king's traditional court and their role in the ancestral cults. 

Saturday, April 11, 2026

Dieux en diaspora, Les Loa Haïtiens et les Vaudou du Royaume d'Allada (Bénin)

Guérin Montilus's Dieux en diaspora. Les Loa Haïtiens et les Vaudou du Royaume d'Allada (Bénin) is a short but richly detailed study comparing the Rada Rite in Haitian Vodou with Vodun in Allada. Based on fieldwork in both Haiti and Allada, Montilus is able to trace the origin of various lwa in Haiti and offer a model for why the mythology around many deviated so greatly from source materials in Allada. However, an African sedimentation of the mythology around many lwa persists, as do some of the concepts and larger framework in which these entities operate. But the destructive impact of the slave trade and enslavement in Saint Domingue, as well as contact with Christianity and various other African peoples undoubtedly led to many transformations and shifts in the conception of the Rada Rite. Montilus hints at this when examining the Simbi spirits, for instance, or theorizing how Congo or Petro rites incorporate more Central African ideas of magic. Montilus's main weakness is perhaps not examining the ways in which Vodun in Benin is a living tradition, hence another cause for its differences from Haitian practice. After all, if Haitians were able to develop a radically new mythology in some cases involving Erzilie, Ogou, Agwe, or other lwa, why wouldn't people in Benin have also adapted the spirits to meet their changing world? One can imagine Dahomey's conquest of Allada in 1724, their conquest of Ouidah, the French colonial conquest, and Christianity also had some impact here (perhaps even before colonialism through contacts with the Portuguese?). The diversity of legends and stories about Legba, Chango, and other vodun in Benin is perhaps a remnant of this great diversity in practice and mythology in today's Benin that has deep historical roots. Anyway, we hope to now read a recently published history of Vodou (again, focusing on the connections to the Slave Coast) that investigates more deeply the political factors shaping religion and spirituality in this part of West Africa. 

Saturday, February 14, 2026