Favorite Pictures from Le vodou fon dans le Royaume d'Allada

  

Although the quality of the images and the binding of the book made it difficult to use or interpret all the photos in Le vodou fon dans le Royaume d'Allada (Bas-Dahomey): ses images et ses symboles, we had some favorites from the bunch. A very short book comprised of photographs by Montilus and short captions describing them, all centered on Fon Vodou in Allada, there are some striking images. Some depict animal sacrifice, temples, various types of priests or priestesses, hunsi and sacred drums, or people tied to the Allada court. Unsurprisingly, the priests affiliated with royal cults seem to have the finest and most elaborate styles of dress.

The "traditional king" of Allada even appears in one photo. Presumably this is a Adjahuto, descendants of a figure appointed by the king of Dahomey after the Dahomian conquest of Allada in the 1720s.

One photo that was partly cut off by the binding showed a vast crowed gathered for a prayer by a temple associated with the kings of Allada. 

Some of the photos of Vodou temples were grainy, but this one is quite clear. It appears to lack any figurative paintings but the different patterns on the exterior wall presumably have some meaning not explained by Montilus.

The dokpe of Allada are sort of our like cumbite but in the Fon context also involved in burials or funeral services.

A bokono is also included. In the Fon context, they are specialists in Fa or Ifa divination. We still consider it intriguing that this sense of the word has been lost in Haiti and boko became a term for sorcerers.

Unfortunately, Montilus did not provide much detail on the Allada king's traditional court and their role in the ancestral cults. 

Dieux en diaspora, Les Loa Haïtiens et les Vaudou du Royaume d'Allada (Bénin)

Guérin Montilus's Dieux en diaspora. Les Loa Haïtiens et les Vaudou du Royaume d'Allada (Bénin) is a short but richly detailed study comparing the Rada Rite in Haitian Vodou with Vodun in Allada. Based on fieldwork in both Haiti and Allada, Montilus is able to trace the origin of various lwa in Haiti and offer a model for why the mythology around many deviated so greatly from source materials in Allada. However, an African sedimentation of the mythology around many lwa persists, as do some of the concepts and larger framework in which these entities operate. But the destructive impact of the slave trade and enslavement in Saint Domingue, as well as contact with Christianity and various other African peoples undoubtedly led to many transformations and shifts in the conception of the Rada Rite. Montilus hints at this when examining the Simbi spirits, for instance, or theorizing how Congo or Petro rites incorporate more Central African ideas of magic. Montilus's main weakness is perhaps not examining the ways in which Vodun in Benin is a living tradition, hence another cause for its differences from Haitian practice. After all, if Haitians were able to develop a radically new mythology in some cases involving Erzilie, Ogou, Agwe, or other lwa, why wouldn't people in Benin have also adapted the spirits to meet their changing world? One can imagine Dahomey's conquest of Allada in 1724, their conquest of Ouidah, the French colonial conquest, and Christianity also had some impact here (perhaps even before colonialism through contacts with the Portuguese?). The diversity of legends and stories about Legba, Chango, and other vodun in Benin is perhaps a remnant of this great diversity in practice and mythology in today's Benin that has deep historical roots. Anyway, we hope to now read a recently published history of Vodou (again, focusing on the connections to the Slave Coast) that investigates more deeply the political factors shaping religion and spirituality in this part of West Africa.