Video: Towards an Art Historicization of Pre-Columbian Caribbean Archaeology

 

We really enjoyed this lecture by Lawrence Waldron on indigenous Caribbean art. Besides Arrom and Eugenio Fernandez Mendez, the only other author whose works we've read on "Taino" art and material culture is Ostapkowicz. We don't count Osvaldo García-Goyco's work here since his speculative attempt to link Taino art and symbolism with Mesoamerica was even less successful than Fernandez Mendez's work. Anyway, Waldron's approach here was really interesting, especially for noting continuity and change from Saladoid to Taino period ceramic arts.

Mbang Burkomanda I: Bagirmi's 17th Century Rise in Sudanic Context

 

Lancer of the Sultan of Begharmi.

          Investigating the history of Bagirmi before the 19^th century is an arduous task. Due to the lack of detailed sources on the history of this part of the Chad Basin before the 1800s, Bagirmi receives less attention than its more famous neighboring polities, Kanem and Borno. Moreover, the 19^th and 20^th centuries provide far richer source materials, consisting of travel reports, al-Tunisi’s account of Sabun’s invasion of Bagirmi, and a plethora of colonial-era publications and reports. This material, naturally, makes it far easier to research Bagirmi in the 1800s whilst its earlier period remains somewhat shadowy. In an attempt to explore early Bagirmi history, this brief article will analyze the reign of mbang Burkomanda I of Bagirmi, whose reign has been tentatively dated c. 1635-1665 by Gustav Nachtigal. In spite of the paucity of written sources from this time, one can triangulate various traditions from Bagirmi, Wadai and its neighbors to create a fuller narrative of Burkomanda’s reign. Moreover, Burkomanda I’s reign was part of a much larger trend of dynamic political leadership across much of the Chad Basin and the Central Sudan in the 1600s. Indeed, Burkomanda’s reign overlapped with a period of political change and unrest to the east of Lake Chad, one which Bagirmi endeavored to profit from through far-flung raids and political interventions. Symbolically and materially, this was represented by the erection of brick walls around the palace in Massenya, cementing the ascent of the mbang in the wider region.

A Commentary on the Sources

          Whilst a few important works have been written by Anglophone and Francophone scholars on Bagirmi’s royal genealogy, much remains to be done. Even so, studies of the kingdom’s cosmological symbolism, political structure or its model of predatory accumulation have been produced. Still, little has been done to advance the study of pre-1800 Bagirmi. John Lavers, in a brief essay published in Annals of Borno tentatively sketched this lengthy period of Bagirmi history (c. 1500-1800), but largely repeated Nachtigal. Besides Lavers, of course, many colonial-era writers wrote studies on Bagirmi kingship, history, the Barma language, or the specific Melfi district. But few have been able to advance beyond this due to the contradictions in the oral traditions, which all the sources ultimately rely upon. In other words, unless new textual sources come to light, historians will not progress from Nachtigal’s schematic view of Bagirmi history.[1] Indeed, some scholars, such as Viviana Pâques, have even gone as far as to challenge simple assumptions of linear historical narratives in the oral materials. In a move that recalls the ways in which Zuidema interpreted the Spanish cronistas on the history of the Incas, Pâques seems to believe that much of what is reported in the traditions reported to Nachtigal, Barth, and others is ultimately tied to a mythological and cosmological order of thinking.

            However, close examination of the various 19^th century and colonial-era reports and texts can be triangulated for a deeper understanding of Burkomanda I’s reign. For instance, the various lists of Bagirmi kings produced by Nachtigal, Escayrac de Lauture, Barth, Lanier, and Palmer can be subjected to greater scrutiny. This can unveil commonalities and patterns.[2] Using Henri Carbou’s writings on the Bulala and Wadai, as well as al-Tunisi, highlight some of Wadai’s traditions as relevant for reconstructing Bagirmi history. Abadie, Palmer, Tubiana, Barkindo, and Hagenbucher on the history of Bagirmi’s neighbors and rival polities can shed further light. For example, a number of Bagirmi-oriented sources allude to ephemeral reigns of Wadai kings usually omitted from the Wadai kings lists. By using the general dates for Wadai, the Bulala sultans in Fitri, Mandara, as well as Kanem and Borno, one can better contextualize the events associated with Burkomanda’s reign. In addition, utilizing these sources permits a likely more accurate reading of Bagirmi’s attempts to assert itself in a politically dynamic Chad Basin and Central Sudan during the 1600s.

Mbang Burkomanda I’s Rise to Power

          Although little is known of Burkomanda’s early life, he is intriguingly remembered by the name of his mother, Aisa Bele. Furthermore, he was reportedly the son of Omar, who reigned from c. 1608-1625 in Nachtigal’s chronology. Surprisingly, Burkomanda was tchiroma during the reign of his uncle, Dalai (r. 1625-1635).[3] One can surmise from this that Burkomanda’s mother may have hailed from a powerful faction or family in Bagirmi, if Burkomanda’s maternal kin helped him succeed his uncle.

          Burkomanda also benefited from the political reforms and accomplishments of Abdallah (r. 1568-1608). This powerful mbang promoted Islamic reforms in Bagirmi’s state structure and created several powerful posts held by individuals of slave origin. Indeed, Nachtigal seemingly believed that the powerful military officer, the fatsha, was held by a slave since the time of Abdallah. This may have been done to weaken the influence of brothers, uncles and other relations in Bagirmi’s royal disputes and military leadership. Abdallah was also believed by Nachtigal to have completely reversed the tributary relationship with the Bulala sultans, too. By 1608, this seminal Bagirmi ruler was allegedly responsible for imposing a small tribute on Middogo and receiving annual presents from the Bulala, Logon, and Kousseri.[4]

          In short, Bagirmi had already demonstrated signs of greater political centralization and expansion during the reign of Abdallah. Indeed, this may have triggered a campaign from Borno’s Idris b. Ali (r. 1564-1596) which led to his death.[5] Undoubtedly, Burkomanda benefitted from the reforms of his grandfather and may have sought to surpass his predecessor, Dalai, who was less successful in his military raid against the Musgo (Musgun).[6] Burkomanda later succeeded in expanding the scale of military actions, intervened in Fitri, and even struck Borno territory in Kawar.

Raiding Far and Wide for Three Years

          Believed to have begun a long series of campaigns soon after his reign began, Burkomanda led his troops far and wide. Targeting Burlum, Bayo, and Bolongo districts, Burkomanda threatened the Kenga. Crossing to Middogo and Fitri, Burkomanda went even further afield. His troops crossed Batha and the Bahr el-Ghazal to Kanem, then moved to the Karka region. Then, Bagirmi raiders struck Borku and Kawar, before passing to the south and plundering the Shuwa in the Kotoko principalities. This was followed by another attack, this time against Mandara. Fellata to the south of Mandara were also targeted before Burkomanda camped his troops in Musgo territory. Due to the wishes of his soldiers to return, Burkomanda eventually agreed.[7] Given that tradition remembers this taking place over the course of three years, one must ask why the ruler of Bagirmi was eager to launch several punitive raids and actions against Bagirmi’s neighbors. Given the volatile conditions in Kanem around this time and the formation of Wadai, perhaps in c. 1635 (to use Nachtigal’s chronology), one can best interpret Burkomanda’s actions as an attempt to profit from and exert Bagirmi’s status as a regional power.

Beginning with Kanem, a political vacuum made raids and possible expansion attractive. The Bulala sultans were defeated by the Tunjur and were no longer relevant here. Borno, whose ruler, Umar b. Idris, likely appointed Dala Afuno to oversee Kanem around this time, relied on the alifas to ensure the tribute from Kanem. However, Dala Afuno was remembered in Kanem for having to wage war on various groups to receive any tribute. Indeed, Dala Afuno had to fight the Tubu, Daganas, El-Lassalas, Shuwas and Koukas to the west of Lake Fitri to pay tribute.[8]

Besides trouble receiving tribute, conflict with the recently arrived Tunjur, migrating after Wadai’s foundation in c. 1635, soon arose. Tunjur tradition, according to Gros, remembers conflict between the Tunjur and Bulala occurring at Mao during the time of Dawud’s grandson, Smain. While the Tunjur eventually seized Mao, Tunjur tradition specifically named their leader, Ramadan, as dying in conflict with the Dala Afuno.[9] In other words, Kanem during the 1630s was politically volatile and unstable as the first alifa sent by the Sayfawa was engaged in conflict with various groups refusing to pay tribute. Sensing this insecurity and instability, Burkomanda may have viewed Kanem as relatively easy to raid. This would explain why he was able to reach beyond to Borku and Kawar.

As for the raids on Borku and Kawar, one sees another aspect of Bagirmi’s long-term regional aspirations. Due to its geographic position, the kingdom lacked direct access to towns in the southern Sahara used for profitable trans-Saharan trade. Bagirmi needed access to these to become less dependent on Borno for North African, European, and other goods. Thus, it is likely Burkomanda envisioned long-term acquisitions to the far north.[10] Lavers was correct to note this possible motive for Burkomanda’s actions, perhaps aiming to maintain Kanem’s openness for commerce or to assert Bagirmi control over routes to the north.[11] The ultimate failure of this strategy may be explained by the distance involved and the eventual restoration of Sayfawa authority in Kanem through the consolidation of the alifas. Nonetheless, memories of this Bagirmi raid in Bilma were vivid enough when Maurice Abadie reported it. In Kawar tradition, however, the Bagirmi attack which resulted in a massacre of the town’s population was the result of a Bulala attack.[12] This may have been a result of Burkomanda’s close relationship with the Bulala sultans in Fitri, particularly as his sister, Zara, was married to the Bulala ruler.

Afterwards, Burkomanda’s forces moved south and west. Attacks against the Shuwa certainly included many cattle and horses among the booty. The assault directed against Mandara, which may have been ruled by Abale at the time, was probably inspired by Mandara expansion into the Musgo (Musgun) territories. Burkomanda’s goal was undoubtedly intended to minimize the expansion of rival polities into Bagirmi’s own raiding zones and tributary regions. Mandara, at the time not yet Islamic, was possibly also attacked by Borno during the reign of Ali b. Umar (c. 1639-1677). This suggests that Mandara’s rulers were expansionist at this time or threatening its peer polities. In fact, according to Barkindo, Bagirmi’s attack “appears to have had the purpose of checking Wandala expansion into what was assumed by Bagirmi, to be her own area of influence.”[13]

Lastly, Burkomanda’s whirlwind campaigns included the Fitri region for an important reason. Heading toward that direction was important for the alliance between the Bulala sultans and Bagirmi at this time. Sealed through the marriage of Burkomanda’s sister to the Bulala sultan, this seemingly developed after the Bulala already established the dynasty in the Fitri region, after defeating the Kuka. Bulala oral traditions attribute this to a half-Tubu Bulala prince, Djil Esa Tubo, or Djili Esa Toubo. According to traditions not cited by Carbou, this Djil Esa Tubo actually lived in Bagirmi with his mother for some time. If so, it is no wonder that Djil Esa Toubou was likely the Bulala ruler who married Burkomanda’s sister. He was already raised there and probably connected to Bagirmi elites.[14] Carbou, presumably drawing on oral traditions as well as the earlier work of Nachtigal, provides strong evidence for a Bulala-Bagirmi alliance around the time of Burkomanda, confirmed through the marriage of Burkomanda’s sister to Djil Esa Tubo. This, in turn, explains why Burkomanda may have included the Fitri area in his lengthy military excursions during his reign.

By contextualizing this seemingly random series of attacks within the wider political changes affecting Kanem as well as the foundation of Wadai to the east, one can perceive how Bagirmi’s actions were likely done in response to a politically volatile moment. Burkomanda sought to strengthen his position within the Central Sudan through raids, political expansion, and achieving long-term economic goals through access to Kawar and Borku. Attacking Mandara due to the latter’s expansion into Musgun lands was designed to ensure Bagirmi’s own sphere of influence there and source of captives. Bagirmi interests in Fitri were tied to their relationship with the Bulala and, perhaps, a desire to keep an eye on developments further east in Wadai.

The Later Years of Burkomanda I

Unfortunately, the remainder of Burkomanda I’s reign becomes much harder to contextualize. Besides campaigns against the Sarua and Ndamm about 3 years later, little else is known, except for a war with Wadai. Nonetheless, one can detect Burkomanda’s continued interests in expansion and promoting his own position across the region with brick walls for the palace. A later war with Waday suggests Bagirmi was, at this time, still a stronger power.

 Nachtigal, one of the better sources, wrote of subsequent campaigns led by the mbarma and fatsha. Directed against the Sarua and Ndamm, they were not especially successful.[15] Burkomanda’s later execution of his fatsha and mbarma due to a small offense is not explained by Nachtigal but may be connected to this. Perhaps their failure to achieve success like Burkomanda’s earlier campaigns aroused his anger. Or the two were involved in a plot. Given the vast military authority these figures held, it is difficult to imagine Burkomanda ordering their execution on a simple offense. Lack of success in military ventures or a political conflict may have been part of it.

Developments in architecture or the material expression of royal authority also occurred at this time. Burkomanda appears to have been the first to construct a brick wall for the palace in Massenya. According to Nachtigal, at least.[16] The use of brick for royal or elite structures has a longer history in Kanem and Borno, areas which influenced the development of the Bagirmi state. To see them used here in Burkomanda’s reign must be interpreted as an expression of the state’s political ascent in the Central Sudan. After all, besides Bagirmi, the use of fired-brick had been practiced by the Bulala and Sayfawa, rival dynasties which had once dominated Burkomanda’s polity. By employing them in his own palace, Burkomanda demonstrated Bagirmi’s ascending status as a Sudanic power.[17]

Finally, Bagirmi’s war with Waday during Burkomanda’s reign raises more tantalizing questions. Sparked by Waday’s attacks on the Bulala state in Fitri, which led to the capture of Burkomanda’s sister, they clearly indicate the importance of the Fitri area for Wadai and Bagirmi. Nachtigal wrote that Burkomanda freed his sister after a battle at Rabbana on the west bank of the Fitri.[18] Carbou, on the other hand, saw a possible Kuka role in fostering a Waday attack in Fitri, perhaps to force the Bulala sultans out of the region.[19]

With Lanier, likely drawing from Escayrac de Lauture, one learns more about Wadai’s leader during this war. Apparently, Wadai’s troops were led by a king named Mohamed ez Zaouni, who supposedly attacked twice. In the second attack, at Middogo, Wadai forces captured Burkomanda’s sister. But Burkumanda was able to “refouler les Ouadaiens.”[20] In Escayrac de Lauture’s version of events, Burkomanda’s victory against Wadai took place at a place called Sadao. His version emphasized that after the capture of Wadai’s Mohammed-Zaouni, “qui avait occupé le trône pendant six mois,” Wadai replaced him with a king named Issa. But, tellingly, any war with Bagirmi was finished by an unspecified epidemic.[21] In other words, Bagirmi not only captured the Wadai king, but the conflict continued until an outbreak of disease or pestilence forced an end.[22]

Unfortunately, none of the Wadai king lists mention this Mohammed-Zaouni or Issa, but Lauture’s list of Wadai rulers places them after Abd el-Kerim and a king named Edris (Idris).[23] As it appears quite likely that the standard lists of Wadai kings tend to omit names of rulers who only lasted briefly on the throne, Mohammed-Zaouni and Issa may have been very brief rulers sometime in the 1650s or 1660s. Indeed, Lauture’s list places Issa right before Saleh-Dered, clearly omitting many Wadai kings of the 1700s. Another writer, Carbou, likewise noted at least one king often not included in the Wadai kingslist: El Djezam, who succeeded Kharif.[24] If, as Lauture indicates, Mohamed-Zaouni and Edris ruled for less than a year while Issa reigned for under 2 years, it is possible they briefly occupied the throne after c. 1655, when Abd el-Kerim likely died (according to Nachtigal’s chronology).[25]

Undoubtedly, much of Burkomanda’s relatively long reign of 30 years has not survived in traditions. Nevertheless, the later annals of his reign included the use of brick walls, the victory against Wadai, and Burkomanda’s actions regarding the Surua and Ndamm. Of course, the executions of his fatsha and mbarma raise a number of tantalizing questions, too. The victory against Wadai raises important manners related to the known chronology and list of kings of this state in the 17^th century. Despite the unexplained factors in the rest of his reign, the use of brick attests to a regional aspiration to status and power in the Central Sudan. Likewise, the ruler’s continued interest in Bagirmi’s expansion and influence in neighboring peoples demonstrates an ongoing interest in “predatory accumulation.”

Conclusions on Bagirmi in the Pivotal 17^th Century

Despite the limited written sources for this period in Bagirmi history, deep investigations into the earlier centuries of Bagirmi’s political history are feasible. Endeavors to make sense of the contradictions must keep in mind the importance of looking to traditions from neighboring societies and rival polities, too. Whilst some contradictions and gaps will remain unresolved, one can approach a holistic view of pivotal Bagirmi mbang reigns prior to the 19^th century.

This tentative analysis of Burkomanda I’s reign was an attempt to do so. By contextualizing what is reported about Bagirmi’s neighbors and rival states in the middle decades of the 17^th century, one can make sense of (or at least approach a reasonable interpretation) how Bagirmi, for some time during the dynamic 17^th century, asserted itself as a major state in the Central Sudan. This was accomplished or attempted through military raids and wars, the adoption of brick buildings, interventions in Fitri and Kanem, and Bagirmi success against Wadai. Future scholarship on this period of Bagirmi history must examine more closely the question of religion, particularly in the aftermath of Umar b. Idris of Borno’s termination of the first Kalumbardo. Subsequent research must thoroughly revisit the list of kings for Waday, the Bulala in Fitri, the alifas of Kanem and the Tunjur to better understand how the Bulala sultans losing Kanem led to Bagirmi’s attempt to fill a political void.

---

[1] Of course, Nachtigal’s retelling of Bagirmi history was based on what may have been relatively informal conditions in the 1870s. His claim to have spoken with multiple descendants of elite lineages in Bagirmi who could recount specific details of various campaigns their forebears participated in throughout Bagirmi history is undoubtedly useful. However, like Sarmiento de Gamboa, whose interviews with various panaqa Inca descent groups was methodogically sound, descendants of different branches of the royal family and elite groups can disagree on many relevant historical questions. One wonders if, despite Nachtigal’s travels to Bagirmi predating European colonialism, his elite informants told him contradictory narratives about their past or the larger history of the Bagirmi royal dynasty. If so, Nachtigal’s retelling of it is far too “neat” and free of contradictions.

[2] See Alain Vivien, “Essai de concordance de cinq tables généalogiques du Baguirmi (Tchad)” in Journal de la Société des Africanistes, 1967, tome 37, fascicule 1. pp. 25-40.

[3] See Gustav Nachtigal, Sahara and Sudan Vol. 3, 405. In other kings lists of Bagirmi, Burkomanda I is not listed, or he is conflated with Burkomanda Tad Lele, who reigned in the 1700s. See H. Lanier, “L’ancien royaume du Bagirmi” in Bulletin du Comité de l'Afrique française 35, 1925 for an example of Burkomanda possibly listed as Osman, succeeding Omar (Oumar) and reigning 1612-1631. Escayrac de Lauture also evinced signs of confusion in his list of Bagirmi kings. For instance, his list of Bagirmi kings places Bourkoumanda, or Osman, after Abdala (Abdallah), and only assigns him a reign of 9 years. Yet his informant, presumably the Shaykh Ibrahim he met in Cairo who was believed to be a relative of the Bagirmi royal line, reported to him that Burkomanda defeated Wadai and captured their king. See Escayrac de Lauture, Mémoire sur le Soudan, géographie naturelle et politique, histoire et ethnographie, moeurs et institutions de l'Empire des Fellatas, du Bornou, du Baguermi, du Waday, du Dar-Four, rédigé, d'après des renseignements entièrement nouveaux et accompagné d'une esquisse du Soudan oriental, 74-75.

[4] Ibid., 328, 403-404. For a different perspective on Bagirmi-Bulala relations, see Henri Carbou, La région du Tchad et du Ouadai, Premier Tome, 298. In Carbou’s mind, it was the Kuka who once imposed tribute on the Fulani in what became Bagirmi during the 1400s. However, given the likely Fitri origins of the Bulala sultans ruling Kanem, they too may have exercised a loose suzerainty or influence on the Kuka state in the 1400s and early 1500s.

[5] John Lavers, “An Introduction to the History of Bagirmi,” Annals of Borno 1, 31.

[6] Gustav Nachtigal, Sahara and Sudan Vol. 3, 404.

[7] Ibid., 405.

[8] See Landeroin, “Notice historique,” in Documents scientifiques de la Mision Tilho, 380.

[9] See Behique Dunama, “Siècles Obscurs: The Alifas of Kanem and the Tunjur in the 17th and 18th Centuries,”  https://thedreamvariation.blogspot.com/2025/11/siecles-obscurs-alifas-of-kanem-and.html. Tunjur traditions in Kanem suggest conflict with the Dala Afuno and Ramadan occurred in c. 1735, which is likely a century too late. A c. 1635 date is more plausible given the genealogy of the Kanem alifas based in Mao.

[10] See Heinrich Barth, Travels and Discoveries (1890), 86.

[11] John Lavers, “An Introduction to the History of Bagirmi,” 34.

[12] Maurice Abadie, Afrique centrale: la colonie du Niger, 133. This could also be possible evidence of Bagirmi’s forces incorporating additional soldiers from their Bulala allies.

[13] See Bawuro M. Barkindo, The Mandara Sultanate to 1902: History of the Evolution, Development and Collapse of a Central Sudanese Kingdom, 107, 111-112.

[14] Henri Carbou, La région du Tchad et du Ouadai, Tome Premier, 307-308, 311. While Hagenbucher’s “Notes sur les Bilala” is essential reading, he dates Djil Esa Tubo to c. 1536 based on a problematic Bulala royal genealogy. Hagenbucher’s dates are too problematic and difficult to reconcile with the wider regional history of Fitri, Kanem, and Bagirmi during the 1530s. Instead, Djil Esa Tubo was more likely to arrive in the Fitri area during the 1630s, which matches the general c. 1630 dating for the arrival of the Tunjur in Kanem. After their defeat at the hands of the incoming Tunjur, the Bulala may have spent some time in Massoa, to the east of the Bahr el-Ghazal, before moving to Fitri. Whether or not the Bulala were asked to intervene there against the Kuka is unclear, but it could very well have involved Bagirmi military assistance. As for the question of Bagirmi interests in Kanem possibly being related to their ties to the Bulala sultans, the question remains ambiguous. Bagirmi sources certainly suggest the Bulala were reduced to vassals or tributaries, so it would seem Bagirmi’s actions in Kanem and Kawar were not motivated by a desire to restore the Bulala sultanate in Kanem. For a reference to Bagirmi’s overt conquest of the Bulala, see H. Lanier, “L’ancien royaume du Baguirmi,” 460. According to Lanier, who confused Burkomanda I with Burkomanda Tad Lele, “Il fit la guerre au sultans des Boulalas, conquit son pays, le soumit et donna à son nouveau vassal une de ses soeurs en mariage.” Either way, Burkomanda exerted some degree of influence over the Bulala in Fitri.

[15] Gustav Nachtigal, Sahara and Sudan Vol. 3, 405.

[16] Ibid., 406. For a speculative attempt at contextualizing the usage of bricks in Massenya, see Behique Dunama, “Speculating on Massenya and Bricks in Bagirmi,” https://thedreamvariation.blogspot.com/2025/12/speculating-on-massenya-and-bricks-in.html.

[17] Religion may have provided an additional avenue for Bagirmi to assert its position within the Sudan. Umar b. Idris (c. 1619-1639) of Borno’s destruction of the first Kalumbardo forced Shaykh Waldede to flee for his life, returning to Bagirmi where the town of Bidderi had a long history of ties to Islamic scholarship (and the rulers of Bagirmi). See Behique Dunama, “Umar b. Idris (r.1619-1639) and the First Kalumbardo,” https://thedreamvariation.blogspot.com/2025/09/umar-b-idris-r1619-1639-and-first.html. Though Nachtigal and other sources do not mention this in the context of Burkomanda’s reign, it would be interesting to explore how Umar b. Idris’s assault against the first Kalumbardo may have had political repercussions in Bagirmi. After all, if Waldede came from Bagirmi and had long-established ties to Bagirmi, including one associated with designing the palace, would Bagirmi’s rulers continue to look positively upon the Sayfawa? In terms of their own state’s Islamic legitimacy, they may have began to harbor more animosity against Borno’s ruler. Even more intriguing in this context is Wadai tradition linking the founder of the state, Abd el-Kerim, with Kalumbardo’s other leader as well as Bidderi in Bagirmi.

[18] Gustav Nachtigal, Sahara and Sudan, Vol 3., 405.

[19] Henri Carbou, La région du Tchad et du Ouadai, Tome Premier, 312.

[20] Henri Lanier, “L’ancien royaume du Baguirmi,” 460.

[21] Comte Escayrac de Lauture, Mémoire sur le Soudan, 74-75.

[22] The only reference to anything close to a plague early in Wadai history is a cattle pestilence and drought during the reign of Ya’qub Arus (1681-1707, in Nachtigal’s chronology). See Nachtigal, Sahara and Sudan, Vol. 4, 208.

[23] Comte Escayrac de Lauture, Mémoire sur le Soudan, 77.

[24] Henri Carbou, La région du Tchad et du Ouadai, Tome Premier, 111.

[25] Comte Escayrac de Lauture, Mémoire sur le Soudan, 77.

Das Reich Bornu

 

Whilst revisiting various sources on Bagirmi and Wadai, we were reminded of a German article by Ulrich Seetzen. Based on interviews with natives of Waday in 1808 who passed through Cairo, Seetzen's informants provide a glimpse of parts of Sudanic Africa not well known in Europe. One of his informants, Hassan, helped Seetzen "map" out the larger region as he conceived it. Intriguingly, this Waday native seems to place Sennar, Fez (Morocco), and various other places within a larger Borno "empire." Clearly, as late as 1808, the stature and reputation of the Sayfawa across much of the African continent was still recognized, even from tributary or vassal states which were striking against Borno.

Outer Spaceways Incorporated

If you find earth boring

Just the same old, same thing

Song For My Father (Live at the Penthouse)

Amazingly, a relatively new release of a live recording of Horace Silver has come to our attention. Featuring the legendary Joe Henderson on sax, there is a rousing rendition of "Song For My Father." Henderson's solo is more sedated than the studio recording, but still fascinating to hear him perform live in Silver's group. Silver also stretches out a bit here, but always with that soulful and funky style. Unfortunately, the group did not perform "The African Queen" or "Tokyo Blues" but other gems from the LPs featuring those songs appear. 

Tokyo Express

Seicho Matsumoto's Tokyo Express, translated by Jesse Kirkwood, is a fun (and short!) detective novel from the 1950s. Featuring an older provincial cop and a detective from Tokyo Metropolitan Police, this novel revolves around cracking a seemingly perfect alibi of the person who killed a key witness. The victim, a lower-level government employee important for the investigation into corruption of his government ministry, is killed (but faked as a love suicide). A waitress from a Tokyo restaurant, is believed by local police to have died with the government ministry employee. When a few things about the case don't add up, the local police officer does a little bit of investigating that raises more questions about what actually happened. In Tokyo, the younger detective also investigates the matter, which takes him across Japan from Kyushu to Hokkaido. In order to crack the suspect's alibi, timetables for trains and domestic flights becomes key. Perhaps to highlight just how common corruption was in 1950s Japan, with near impunity for higher level ministry officials like Ishida, the novel ends without a satisfactory conclusion for the sleuths, despite his success at cracking the seemingly impenetrable alibi). It is also somewhat held back by the bare details provided on the central characters. Mihara, for instance, is revealed to have a wife in the end of the novel. Exposition sometimes suffers from jarring transitions or lackthereof. But as a suspenseful and clever mystery novel, it is largely successful. 

Cacique Guarionex Remembered

  El cacique Guariones
 defendió con patriotismo,
 luchando con heroísmo
aunque falleció más tarde.
Borinquen vencida es
decía con aflicción
y con desesperación;
clamó nobles traidores
no caben vuestras labores
del árbol del corazón.

The final part of a décima from Puerto Rico referring to a cacique named Guarionex and his resistance to the Spanish conquest. Unfortunately, J. Alden Mason and Aurelio M. Espinosa did not name the composer in their "Porto-Rican Folk-Lore. Décimas, Christmas Carols, Nursery Rhymes, and Other Songs."

Bei Mir Bist Du Schön

Alice Coltrane showing her more advanced style in this recording date with Terry Gibbs. Although we don't usually associate Alice Coltrane with Jewish music, she's one of the best things about session from her days in the group of Terry Gibbs. It helps that we've long enjoyed "Bei Mir Bist Du Schön" ever since hearing it in an episode of The X-Files several years ago...

Favorite Pictures from Le vodou fon dans le Royaume d'Allada

  

Although the quality of the images and the binding of the book made it difficult to use or interpret all the photos in Le vodou fon dans le Royaume d'Allada (Bas-Dahomey): ses images et ses symboles, we had some favorites from the bunch. A very short book comprised of photographs by Montilus and short captions describing them, all centered on Fon Vodou in Allada, there are some striking images. Some depict animal sacrifice, temples, various types of priests or priestesses, hunsi and sacred drums, or people tied to the Allada court. Unsurprisingly, the priests affiliated with royal cults seem to have the finest and most elaborate styles of dress.

The "traditional king" of Allada even appears in one photo. Presumably this is a Adjahuto, descendants of a figure appointed by the king of Dahomey after the Dahomian conquest of Allada in the 1720s.

One photo that was partly cut off by the binding showed a vast crowed gathered for a prayer by a temple associated with the kings of Allada. 

Some of the photos of Vodou temples were grainy, but this one is quite clear. It appears to lack any figurative paintings but the different patterns on the exterior wall presumably have some meaning not explained by Montilus.

The dokpe of Allada are sort of our like cumbite but in the Fon context also involved in burials or funeral services.

A bokono is also included. In the Fon context, they are specialists in Fa or Ifa divination. We still consider it intriguing that this sense of the word has been lost in Haiti and boko became a term for sorcerers.

Unfortunately, Montilus did not provide much detail on the Allada king's traditional court and their role in the ancestral cults. 

Kingdom of Allada Timeline

The following are some general dates for the history of Allada, ending with its conquest by Dahomey in the 1720s. The dates are all drawn from Robin Law's The Kingdom of Allada and The Slave Coast of West Africa, 1550-1750: The Impact of the Atlantic Slave Trade on an African Society. Researching the history of Allada is quite difficult, although we have scarcely scratched the surface. Jacques Lombard and Robin Law are good to start with, but from consulting their sources and references to oral traditions, much of Allada's early history is difficult to reconstruct.

c. 1485: map of Pedro Reinel shows Allada

1540/1 (or 1551/52): Allada ambassador to Portugal, Dom Adȃo. Allada king interested in trade and Christianity

1539: Portuguese report on Benin mentions kingdom of Allada's ambassadors mistreated by the oba

1553: Portuguese attempt to trade at Popo

mid-1560s: appearance of "Arara" captives among African slaves in Peru

1570: Allada marked on Portuguese maps

1591: James Welsh destroyed a Portuguese ship anchored at Allada

1602: Account of Pieter de Marees published

1607: Portuguese source estimated value of trade at Allada as 800,000 reis

c.1610: Kokpon king of Allada (Lombard's reckoning)

1620: Report mentions Allada, as well as Benin, Ijebu, and Calabar as "friends" of Portugal. One or two ships were sent annually from Sao Tome to trade at Allada for slaves, yams, palm oil, ivory and cotton cloth.

1622: Dutch ship came to Allada, but didn't stay to trade.

1627: Alonso de Sandoval's work mentioning Allada traditions published

1639: Dutch West India Company establish a factory in Allada

1646/47: Dutch bring an Allada native to the Gold Coast to train as an interpreter. The man dies.

1647: Dutch WIC in negotiations with Allada king over his debts to the company

1653/54: English ship purchased 170 slaves at Allada

1657: Bans, or Vans, arrived in Cartagena as ambassador of the king of Allada, 

1658: Publication in Madrid of a catechism in the language of Allada

1659: One source claims Allada was subject to or a vassal of Benin

1659/60: WIC establish a lodge in Allada once again

1660/61: Capuchin mission to Allada

1663: English company, Company of the Royal Adventurers of England Trading into Africa, established a factory in Allada

1664: An English letter addressed to the king of Allada, but never arrives

1668: Publication of Dapper's account

1670: Allada sends Mateo Lopes to France as its ambassador

1671: French factory transferred from Offra to Whydah; Allada and Benin reportedly at war

1672: Publication of Joseph de Naxara work alluding to Allada

1679: Trade in Allada disrupted by war (possibly Offra rebellion)

1680: Contact between Allada and Gold Coast disrupted by "Lampi Black" bandits, led by Aban

1682: Report mentions imports of cloth in Ape from Benin (or Lagos area)

1688: One account claims Allada's rule extended further west, once encompassing Great and Little Popo and Whydah

1690s: Dutch account on Benin kingdom refers to use of Allada women to brew maize beer there

1692: Destruction of Offrah by Allada (through the use of foreign mercenaries)

1694: "King Tom" of Allada was exiled and living in Whydah, banished for alleged crimes

1698: Oyo war with Allada after subjects of the latter appealed to Oyo (due to misgovernment by viceroys of Allada)

1703: Dutch WIC moved factory to Whydah

1704: Publication of Bosman's work

1705: Allada trade embargo on Whydah 

1709: Allada blocked trade to Whydah

1714: Allada king tried to redirect slave trade through Jakin instead of Whydah

1715: Apa's ruler said to be too far to be compelled to obey Allada

1716: Report suggests Dahomey was former vassal of Allada

1717: Death of Allada king reported

1718: King of Allada forced an English captain to buy 20 slaves of his

1722: Hussar in alliance with Agaja of Dahomey; king of Allada, claiming the English were indebted to him, made Bulfinch Lambe a prisoner

1724: Dahomey's conquest of Allada; King Sozo said to have raised 50,000 troops to face Dahomey

1726: Hussah of Allada said in one source to have solicited the Oyo invasion of Dahomey in his bid to regain Allada

1730: Agaja of Dahomey settled in Allada, but at new site near Togudo

1743: Tegbesu moved Dahomey capital back to Abomey from Allada

King Porter Stomp (Gil Evans)

For Jelly Roll Morton, Fletcher Henderson, Benny Goodman. These cats effectively 'modernized' the classic stomp for the 1950s. Cannonball Adderley really carries it. 

The Ark

Overall, The Ark by Haruo Yuki is both fun and successful as a murder mystery. Set in an underground "ark" apparently used by a cult (with some nefarious purpose possibly predating this), the novel features a group of ten trapped underground after an earthquake. Someone then proceeds to kill three members of the group. In terms of the actual mystery behind the murders, there is a great twist at the end which truly changes the meaning of some of the earlier chapters. Nonetheless, we were able to guess the identity of the killer after the third victim's discovery. The novel's genius lies in its clever twist and reminding readers of the importance of understanding motive to solve a mystery. This novel's wannabe sleuth, Shotaro, the cousin of the narrator, builds a consistent logical chain of reasoning to identify the killer, but falls short on establishing a fully convincing motive for all three killings. Unsurprisingly, this will have terrible consequences by the conclusion of the novel. But along the way, the reader is treated by a suspenseful tale of murder and disaster as a group of university friends and the family that joins them turn on each other before the "ark" is completely flooded. One only wishes the novel explored more fully the background of the structure, only hinted at here or there with the appearance of torture instruments and cults. The old friends from their university days are also not fully developed here, but enough exists to establish the air of hostility between one character and the the narrator. 

Tula Ndivile

Going down the rabbit hole of jazz in the 1960s and 1970s led us to Johnny Dyani, which of course led back to Miriam Makeba. There's something so majestic and uplifting about her singing in these early South African vocal groups, like the Manhattan Brothers. I also recall shocking a South African person when, back in the day, I could sing some of these tunes.

Journey in Satchidananda (Live)

After reading the latest biography of Alice Coltrane, we have continued our obsessive listening to all of her recorded work. We were reminded of this rousing live version of one of our favorite Coltrane songs we enjoyed several years ago, "Journey In Satchidananda." Something about Alice Coltrane just creates an atmosphere.

Cosmic Music and Alice Coltrane

Although it took some time to procure a copy through the library, we have finally finished Andy Beta's detailed biography of Alice Coltrane. Entitled Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane, one can already guess the author's approach to her life and music. He tries to balance the spiritual and musical aspects of Coltrane's life, showing much respect for her as Swamini who led an ashram in Agoura Hills. Significantly longer and benefitting from more recently released or reissued recordings of Alice Coltrane's work, Beta's biography is more comprehensive than that of Berkman's earlier study of Coltrane. By adroitly balancing the various aspects of Coltrane's life and showing great respect to her faith, readers understand how the sacred was always part of Alice's aesthetic. Though sometimes leaning toward credulity, one suspects Beta wants the reader to come to their own conclusions about Alice's spiritual transformation and abilities. For examples, see how Beta nonchalantly reports Coltrane's claims to levitate, or astrally project. Or, for instance, her somehow learning Ancient Egyptian for "Er Ra." The biography abounds with examples of Turiya's claims to astral projections, meetings with deceased composers, and karmic healing. This undoubtedly informs the reader of all aspects of her life and work, from Alice's own perspective. He's also effectively demonstrates how the jazz establishment dismissed her for sexist reasons and how Alice went on to shape New Age music, a field for which we must confess a lack of interest.

Naturally, as one can expect in the standard jazz biography, Beta contextualizes Coltrane's work in the larger social, cultural and political spheres of her time. This means highlighting the impact of race and gender on limiting opportunities for African Americans, the context of the Civil Rights Movement and Black Power, and the sexism of the jazz and music industries. Thus, the story begins with Detroit and expands significantly beyond the confines of Alice's own upbringing and church community. Black Detroit, despite the ugly racism of the past, was a vibrant center for music and the arts. Even the schools, less segregated, provided an excellent musical education accessible to black students. This background helps to explain the rise of not only jazz musicians like Alice Coltrane and her older brother, but the eventual ascent to stardom of Motown (also connected to Alice Coltrane through her sister's career as a songwriter). This important historical/cultural context for Black Detroit was unknown to us, mainly the reputation of Detroit jazz artists as excellent musicians in the genre and often becoming major figures of the second half of the last century. Thus, Yusef Lateef, Alice Coltrane, Terry Pollard, and Joseph Henderson were just some of the brilliant players to come out of this musical environment. Beta also emphasizes the role of jazz musicians like Terry Pollard and Dorothy Ashby, also from Detroit, to indicate how female instrumentalists were also renowned in the city. 

The subsequent section of the biography covers Alice's early career as a musician. Despite dreams of Juilliard, she makes a name for herself in Detroit, playing with groups like the Premiers. She also spent time in Paris, meeting with the legendary Bud Powell (whose technique she was said to resemble in her piano style) and hearing Coltrane with Miles Davis at the Olympia. She even toured with Terry Gibbs, being one of the better soloists on his recording of Jewish music. Indeed, one can already detect her eclecticism here since Alice was performing music from bob, African-American spirituals, Jewish, and the jazz traditions. Her time in New York City is mentioned here or there, including the time she spent at a Loft where each morning greeted the musicians with the fresh aroma of flowers. Coltrane even married Hagood, another musician, yet faced the misfortune of his drug addictions and had to raise Michelle on her own. But the next part of her life proved to be more momentous in her musical and personal development. 

Next, Alice meets John. Both were shy, very shy. Alice had already seen him perform in Paris and John's stature in the music was very well established. The two hit it off and Alice eventually married John. Although she did not immediately join the quartet, her conversations with John obviously included their shared passion for music, such as Stravinsky. Over time, as Coltrane's music went further "out," the group fell apart while Alice replaced Tyner as pianist. By this period, Alice's playing was less of the Bud Powell-influenced style she was known for. She was still very much connected to her musical roots, but her shared interest in spiritual jazz, avant-garde music, and alternative religious systems led her and John to create more daring, freer music. One can only wonder how their music would have developed had John lived into the 1970s and 1980s.

Of course, Coltrane tragically died from illness in 1967. After a harrowing time that was likely part mental breakdown, part spiritual awakening, Alice recovered and established herself as the bearer of John's legacy whilst continuing her own musical voice. This growing interest in Hinduism and what might be seen as New Age thinking was part of a broader current in the United States at the time. Fortunately, Beta does highlight this, even mentioning how Alice Coltrane met and worked with Laura Nyro and others interested in Eastern religion and philosophy at the time. Other jazz musicians likewise explored Islam, Buddhism, Hinduism, or their own Afrocentric mythologies, like Sun Ra. Sun Ra is mentioned by name here for being one of the influences on John's interests in esoterica. It's perhaps under-analyzed here how Alice Coltrane's ascent to guru is part of a Black counterculture, with all the limitations and problems of the larger phenomenon of the 1960s and 1970s.

Now paired with her Hindu-inspired spiritual awakening and harp playing, Alice's music was polarizing for the jazz establishment. Perhaps aiming for low-hanging fruit, Beta occasionally quotes and eviscerates sexist jazz critics who naively dismissed Alice's albums or "tainted" the last recordings of Coltrane by overdubbing strings or her own music. Some of this music is sheer beauty and cosmic delight, like World Galaxy, and was recorded with excellent jazz artists like Pharoah Sanders, Charlie Haden or Rashied Ali. In more recent times, musicians and critics have finally recognized the brilliance of Alice's music, both the secular and her unique recordings of bhajans accompanied by the singing of her students. Alice has finally received the recognition she was due, and not just as the wife of John Coltrane. One can only hope more female jazz instrumentalists receive the recognition they are due instead of being ignored or reduced to their relationship with more famous men.

Overall, this was a very readable, accessible, and entertaining biography. Our interest in Alice Coltrane as a guru or spiritual leader remains slight, but Beta successfully balances this aspect of her career with her earlier life. Indeed, his interviews with members of Coltrane's ashram as well as various producers, musicians, and family members who knew her well reveal how deeply researched this book is. And, as he makes abundantly clear in how Alice Coltrane was always performing or playing music after the end of her contract with Warner, members of the public could even visit her center on Sundays for rousing performances of bhajans. Music was constantly in the home, too. Still, it is a travesty that some of her recordings from studio dates or live performances have been lost, as well as much of the television material she created. Beta's biography fills in as much of the gap as possible, highlighting as always her dedication to music's sacred dimensions. Indeed, her son, Ravi, appears to have maintained some of this aura. At a concert we attended, of which the audience was at least a quarter Indian or South Asian, and performed in a church, one could feel the "cosmic" and divine. Therefore, the Coltrane legacy (both John and Alice) lives on in the music of Ravi and many others, both jazz or non-jazz artists, who imbue a "cosmic" dimension to their work. Unsurprisingly, we have been inspired to explore all of Coltrane's recorded works now. We have moved beyond our youthful dismissal of her music after the early 1970s and can appreciate the beauty of her bhajans.