Dream Variants
Variations on a theme
Saturday, October 24, 2026
Juan de la Cosa and Hispaniola
Friday, October 23, 2026
Nasr Bultu and Binawa Integration
Whilst re-reading Dierk Lange's A Sudanic Chronicle: The Borno Expeditions of Idris Alauma (1564-1576) According to the Account of Ahmad b. Furtu, we were reminded of the Binawa convert, Nasr Bultu. Close ties between him and the vizier of Idris b. Ali of Borno (r. 1564-1596), Kursu b. Harun, also an Ngizim according to Lange, were also indicated by Nasr's Islamic conversion. Presumably, this is why Nasr Bultu began to use an Islamic name like Nasr. However, each of his appearances in Ahmad b. Furtu's chronicle include the surname Bultu.
We wonder if this surname is actually the Kanuri word for hyena, búltu (Cyffer's spelling). In the Ngizim-English dictionaries easily found online, that language's word for hyena is not like the Kanuri term. For instance, the dictionary affiliated with the Yobe Languages Research Project lists bədlamu (see the Ngizim-English-Hausa Dictionary by Mohammed Alhaji Adamu and Usman Babayo Garba Potiskum). Intriguingly, the Hausa language does have the word bultu for a type of hornbill, possibly pointing to a Hausa connection for Nasr Bultu's surname. Since the Binawa were part of the Western Ngizim, a possible Hausa-derived word used for a name was perhaps plausible?
However, the closer ties of Nasr Bultu to Borno and one of its top officials during the reign of Idris Alooma could have played a greater role in the Binawa leader's new name. If one theorizes that his surname was also new like his first name of Nasr, perhaps the Kanuri-derived word was another sign of the integration of non-Kanuriphone populations into Borno. Islam and Islamic-derived names were an important part of that process. But, adding Kanuri names or surnames could have been yet another layer of the role of culture and language in integrating other ethnic groups into the state. Why the name of an animal may have been adopted as a surname is not clear, either, although it may have ties to the depiction of the hyena in Kanuri folklore and oral literature. The word also appears as part of the name of the imam of a mosque in Gazargamo, Ahmad Bultu Zawamma (see "An Account of N'Gazargamu" in Palmer's Bornu Sahara and Sudan).
Tuesday, October 20, 2026
Descourtilz and Haitian Antiquities of the Indians
Naturalist Descourtilz sketched some examples of figures he called cemis from what is today Haiti. Shown them by Desdunes-Lachicotte and presumably coming from the Artibonite region, one of the pieces is rather remarkable. According to Descourtilz, a turtle cemi figure's shell included a Sun, Moon, and star depicted on it. Given the symbolic role of the turtle in some of the myths recorded by Pané, the turtle cemi figure may be connected to the cosmology of the indigenes.
Monday, October 19, 2026
Force Your Way (FF VIII)
We found this jazz interpretation of one of the best songs from Final Fantasy VIII quite interesting. The Consouls consistently bring a unique jazz interpretation of some of the musical gems from the series. Even this Final Fantasy, far from our favorite, had a few great moments on its soundtrack.
Sunday, October 18, 2026
Dunama Dibalemi and the Tubu?
Saturday, October 17, 2026
Jerma Melei and Assakélé
Another thing we have been contemplating is the question of the identity of the captor of Assakélé, a Bulala princess remembered in a Kanembu song partly recorded by Henri Carbou. Although we have written about our speculative thoughts on this figure and her possible connection with the Aisa Kili of Borno traditions, we should consider other possibilities. For instance, the song identified the Borno official who seized Assakélé as Kaléa djerma Meleï. Kaléa means captive, djerma or jerma (sometimes spelled zerma) was an important officer in the Sayfawa court and Meleï is probably Mele, a Kanuri form of the name Idris sometimes seen in Kanuri girgam lists and other sources translated by H.R. Palmer. Thus, Kanembu tradition remembers a jerma named Idris whose actions here sparked or contributed to the war between the Bulala and Borno.
Is it possible that the song is actually remembering the Ngizim jerma of Idris Alooma? When mentioned by Ahmad b. Furtu in the context of the Kanem campaigns, his title had risen to wazir. Furthermore, we know from Ahmad b. Furtu's account that women related to the Bulala royal family were indeed seized during the conflict. Perhaps Kanembu tradition here is actually recalling an event right before the Kanem wars of Idris Alooma or one of those seizures of Bulala royal women during the war? Carbou claims that Kanembu tradition remembered Idris Alooma's vizier as Idris b. Harun, but that does not necessarily preclude the possibility of Idris b. Harun also being remembered as a jerma or jarma in other Kanem traditions.
Of course, without the full song this conjecture remains pure speculation. For all we know, there was a jerma named Idris during an earlier period in Borno who may have seized a Bulala princess. Assuming Kalo, Assakélé's father, was Dunama b. Salma, then we would think Melei was a jerma during the reign of Idris Alooma's grandfather. But it is still possible for the song partly translated by Carbou to have been actually referring to the Ngizim jerma, Idris b. Harun.
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