Monday, October 23, 2017

Ramblings on Escape From Freedom

Although it took much longer than it should have, I finally finished Erich Fromm's Escape from Freedom. After listening to several interviews with Fromm on Youtube and reading an article about his brief involvement with the Frankfurt School, I had to finish this book. Indeed, it seems particularly relevant given the state of the world and the debates about the nature of Trump. However, I approached Fromm's work as someone with a renewed interest in the Duvalier regime in Haiti. While Haiti certainly does not have as much of a direct connection with the Reformation and the changes from the feudal medieval world to liberal capitalism, Fromm's explanation of the social character of the lower middle classes in Europe, from Luther to Nazi Germany, brought to mind the ways in which scholars write of the Haitian middle class and the rise of Duvalier. 

Certainly, the sadistic and masochistic elements of Haitian politics under Papa Doc and Baby Doc invite comparisons (just think of the Tonton Macoutes), as do the Haitian middle class intellectuals drawing on far-right ideologies and fascist thought in the period from 1934-1957. The other issue with Fromm's thesis's applicability to Haiti, one which he would probably agree given his reference to "Mexican peasants" in one chapter, is whether or not the Western political history and social psychology he discusses, one which arose with the Reformation, capitalism, and industrialization, can be applicable to Haiti. I'm a little skeptical on that front, but the importance of the middle class in Haiti and the context of urbanization and economic decline in the Haitian countryside does make me inclined to investigate further the social psychology of the Haitian middle class and working-class, particularly the degree to which a breakdown of the bonds of the precapitalist world broke down. Pierre-Charles certainly left me an impression in his work on Duvalier that economic shifts and the fuedalism/capitalism dynamic played a role, although I also find Cary Hector's thought-provoking on the applicability of "creole fascism" to Duvalierism.

To end my rant here, I will say that I found Fromm's use of Freudian and Marxist theory more readable and convincing than that of Adorno, who was probably influenced by Fromm's earlier work on the authoritarian personality among the German working class. Both shared certain affinities, particularly with their attitude towards the culture industry, but Fromm's use of psychological insight drew from his practice as well as social science research. However, Adorno's work on irrationalism and occultism was more developed than Fromm's references to it here. As for Wilhelm Reich and Fromm, I have not yet decided how to go about addressing Reich and his focus on libido in explaining the mass psychology of fascism. Fromm's work strikes me as more nuanced and expansive, and more persuasive in explaining the appeal of fascism and totalitarianism in liberal capitalism. Much more will be said on these subjects in the future.

Tuesday, October 17, 2017

Voices of Spring


Kathleen Battle is becoming a personal favorite for opera music, even though I think I still prefer Jessye Norman. Nonetheless, this is stunningly beautiful.

Friday, October 13, 2017

Japanese Black Orpheus


Hideo Shiraki has come across my radar after reading a book on jazz in Japan. In addition to recommending several interesting jazz musicians from that part of the world, it also forced me to rethink my assumptions of the derivative or imitative character of jazz from Japanese musicians. So far in my listening, Shiraki is one of the more interesting musicians who, clearly influenced by bop, managed to bring his own unique style or approach to the musical idiom. 

Monday, October 9, 2017

Noriko Awaya


I've been reading a book on jazz in Japan, and in order to expand my appreciation of jazz as a worldwide phenomenon, listening to all kinds of music reflecting jazz influences. While legendary Noriko Awaya's "Blue Light Promenade" bears more of the influence of tango and Cuban music, it was irresistibly catchy and I had to share it. Jazz truly is global music. 

Monday, October 2, 2017

I Loves You, Porgy


One of my favorite recordings of a personal favorite, "I Loves You, Porgy." Fitzgerald's perfect voice enhances this haunting melody, pushing it in different directions than the instrumental recordings I usually listen to. Listening to Ella sing the standards has been my thing for the last week or two now...so much to learn.