Showing posts with label Ogun. Show all posts
Showing posts with label Ogun. Show all posts

Wednesday, October 15, 2025

More on the Nago (Yoruba) and Haiti

Milo Rigaud's La tradition voudoo et le voudoo haitien includes this beautiful veve for Ogou Batala.

The Yoruba legacy in Haiti survives in some rather influential ways. For instance, Haitian Rara music appears to be at least partly influenced by the Yoruba. According to J.B. Romain's Africanismes haïtiens, the word rara is likely derived from Yoruba. Although it is culturally a fusion of different elements, the use of a name derived from the Yoruba language attests to the presence of Yoruba speakers among the enslaved. In addition, the "Nago" are remembered and some of their orishas are honored in Haitian Vodou tradition. In fact, some Haitians still used the name Nago as a family name well into the 19th century. This important legacy suggests the Nago were remembered in Haitian tradition for far more than facial scarification on their cheeks or a penchant for stealing, as Malenfant described them in the 18th century. 

Milo Marcelin's Mythologie Vodou includes many examples of songs alluding to the Nago spirits. 

In Milo Marcelin's Mythologie Vodou (Rite Arada), numerous allusions to the Nago and Nago-derived lwa can be found. The Nago orishas are often subsumed in the category of Ogou (Ogun to the Yoruba), in various manifestations or forms. Thus, some, like Ogou Chango, are clearly a reference to Shango. Others, like Ogou Olicha, appears to be an allusion to a lwa whose name includes the word orisha. Considering the military leadership and skill needed for Haitian independence to materialize, one can imagine Ogou was a major lwa for many in Haiti.


Additional Ogous whose names refer to the Nago are Ogou Feraille, Batala (Obatala), Ogou Badagri, Olisha, and Ossange. Badagri, whose very name refers to the slave trade port of Badagry, is hardly a surprise as a Nago divinity. Batala is undoubtedly derived from Obatala of Yoruba tradition, while Ossange, a healer, is Osanyin. Unsurprisingly, the Nago appear to be associated with war, military prowess, and iron in Haitian tradition. Such a reputation can be seen in the role of Nago war leaders during the Haitian Revolution, such as Halaou and Gracia Lafortune. Yet Marcelin also reported that the Nago lwa Ogou Badagri was the father of the Haitian "mulatto." We are not sure if this association with "mulattoes" may be an allusion to mixed-race generals and military leaders during the Haitian Revolution. 

Friday, March 1, 2024

Song for Ogunde


A lovely tribute to Ogun, our orisha, from the legendary John Coltrane. Coltrane appears to have based his arrangement of the song on a version harmonized by a Brazilian composer and sung by Bidu Sayão. One can also find a Cuban group performing the song in 1957 with what appears to be different lyrics in Lucumi (Yoruba). Ogun arrives, chief of Ire. I vaguely recall once finding a recording of the same song (or a variation of it) from Dahomey (modern Benin) but was unable to locate it. Fortunately, Yoruba speakers have sought to enlighten us with the actual meaning of the song in its Cuban incarnations.