Arabic Medieval Inscriptions from the Republic of Mali: Epigraphy, Chronicles and Songhay-Tuareg History by P.F. de Moraes Farias has long been on our reading list. One of the essential studies that endeavors to incorporate medieval epigraphic sources into our understanding of the history of the Songhay and the eastern arc of the Niger, this important work, despite its (necessarily) occasional speculative nature, raises a number of questions about the received wisdom on the history of Mali. First, by exploring the problematic way in which Heinrich Barth, Delafosse, and others have problematically assumed the 17th century Timbuktu chronicles can be treated as a reservoir of basic facts and data without any deeper ideological or textual analysis, this study illustrates how and why the funerary and non-funerary epigraphic evidence has been ignored, sidelined, or treated as peripheral.
However, the funerary sources, as early sources covering dates from the early 11th century until the end of the 15th, are actual textual sources from the period before the rise of Sonni Ali and Askia Muhammad I. They shed (some) light on earlier rulers at Gao and Saney with more than just the kingslists that appear in the 17th century chronicles. Moreover, by ignoring the innovative nature of the tarikh genre in the 17th century Western Sudan, and the specific political and socioeconomic conditions which shaped its development after the fall of the Songhay imperial state and the establishment of the Arma, modern scholars have underappreciated the creativity of the chroniclers and their own motives. Furthermore, the chroniclers themselves lamented the lack of sufficient or detailed records from the early history of the Western Sudan, so epitaphs and other inscriptions from the 11th-15th century become exceptionally important sources to supplement our meager knowledge of that era.
That said, the inscriptions obviously cannot tell us everything. They do, however, provide a vista onto how the deceased and those who erected stelae or inscribed tombstones for the dead conceived of time, the calendar, their connection to the larger world of Islam, and hints of kingship, ethnicity, language, or cultural change. Part of this can be seen in Bentyia, where inscriptions record Songhay, Berber, and what appear to be Mande names. The intense interplay between Songhay and Tuareg cultures also challenges us to rethink casual or simplistic assumptions about "race" and culture, too. For instance, the askia title, which appeared in inscriptions centuries before the rise of Askia Muhammad at the end of the 15th century, may have a connection to a word of Berber derivation referring to a male slave (though this is a complex question that requires deeper familiarity with Songhay linguistics and oral tradition). It's quite clear, too, from reading de Moraes Farias, that the Ali Kulun character of Tuareg oral literature was likely the source for how the Timbuktu chroniclers sought to make sense of the period of Mali imperial domination of Gao and the eastern Niger. This suggests that some of the narratives about that period reported in the chronicles are unhistorical and the chronology of Malian rule and the different dynasties that ruled Gao will remain up for debate.
Whether or not the epigraphic evidence can be used to postulate how kingship might have operated at Gao before the period of Mali's domination is uncertain, but de Moraes Farias's theory of rotating succession in the 11th-13th centuries is an intriguing one., After all, based on the funerary inscriptions from the early 1100s and 1200s at Gao and Saney (another site near Gao), he speculates that there may have been two lines or royal clans who alternated kingship. The first one was definitely Muslim by the second half of the 1000s, and the second one, the so-called Zuwa 'dynasty' may have either been officeholders who shared power with the earlier 'dynasty'.
Besides raising questions about the Timbuktu chronicles and how medieval inscriptions in Arabic force us to rethink or reconceptualize space, belief, and culture in the medieval Sahel, one is also left with tantalizing references to what may have been early Sufist influence in the Sahel at Junhan. One is also left wondering why it funerary inscriptions were in vogue at Gao, Saney, Bentyia, and Essuk (Tadmakka) but no evidence for the practice has been found yet in Kanem. One would expect that similar connections with Tripoli, Qayrawan and other parts of the Maghrib (as well as similar Saharan and Sahelian Berber populations) did not lead to the development of funerary inscriptions at sites like Njimi (or perhaps at Manan, the earlier capital of Kanem which remains unknown). If the early prominence of Ibadis in Kanem's trans-Saharan trade is a factor, something similar was also an inhibiting factor at Gao.
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