Listening to an interpretation of Jelly Roll Morton's composition by a white band from 1923 immediately brought me back to the definitive 1926 recording by Morton and his band. While the Original Memphis Five recording is not bad, it certainly sounds more like the late 1910s/early 1920s white bands rather than the hard-swinging Morton recording from a few years later. Morton's band sounds not only jazzier but employs his characteristic breaks and the irrepressible joy of the New Orleans sound.
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