One of the more interesting pieces from Miles Davis's On the Corner is a rather short funky number, "Black Satin." Combining Indian percussion and sitar with soul claps and funk, Davis and company produced the most rhythmically interesting song of Davis's jazz-funk period, and all with tabla, Miles clapping his hands, and a tabla. Sometimes it was the jazz artists who produced the most arresting funk of the 1970s, such as Herbie Hancock's "Watermelon Man" with the African-inspired bottle blowing that opens the song.
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