Of Cannibals and Kings

Neil Whitehead's Of Cannibals and Kings: Primal Anthropology in the Americas has been on our reading list for some time. A short book consisting of English translations of early Spanish sources on the indigenous Caribbean and an introductory essay by Whitehead, it is important for offering a new translation (based on the Italian) of Ramon Pané and a translation of Rodrigo de Navarrete and Rodrigo de Figueroa. Although Whitehead unconvincingly posits possibly "Taino" or Amerindian influences on Haitian Vodou and West Indian obeah, suggesting Damballa, zombi and perhaps even bokor may be at least in part derived from native Caribbean spirituality and religion, his essay raised a number of legitimate questions about the ways in which scholars have engaged in linguistic analysis of Pané's brief account. Moreover, the translation of Rodrigo de Navarrete's brief relation of the "Aruacas" (who appear to have been centered in the area of Guyana) provides an interesting description of indigenous South American "allies" of the Spanish. Indeed, if the category of caribe was a political rather than ethnic identifier, at least in how it was used by Columbus, Chanca, Figueroa and Navarrete, that dichotomy was clearly understood by indigenous actors who, like the Aruacas, appear to have used trade and alliances with the Spanish to expand their power and settlements against their caribe enemies. Even more intriguing is the unnamed morisco survivor of a shipwreck who lived for years among the Aruacas. He was one of the main informants of Navarrete and perhaps would have given his native hosts a more nuanced perspective on Castile and its history of aggression and expansion. Unfortuantely, Navarette did not share all of the details he learned about the Aruacas (Arawaks), but his brief relation indicates a culture in which astronomical knowledge and lore was important to the shamans. Indeed, similar astronomical lore appears to have been important for the "Carib" and "Taino" shaman class, who likewise played a pivotal role in the ceremonies using song to record history, genealogy, and the deeds of great men.