Amy Jacques Garvey: The Veiled Garvey
Ula Taylor’s The
Veiled Garvey: The Life and Times of Amy Jacques Garvey, critically
reassesses the life of Marcus Garvey’s second wife to highlight the role of
women in crafting the Universal Negro Improvement Association’s ideology of
Pan-Africanism and black nationalism. Since black nationalism is often
conceived as endeavoring to construct a patriarchal nation with black women
relegated to traditional gender roles, Taylor argues that women like Amy
Jacques Garvey practiced community feminism that influenced the decidedly
male-dominated leadership of the UNIA and Pan-Africanism in other
organizations. Furthermore, a biography of Amy Jacques Taylor alleviates the
problem of narrating her life’s story only in shadows or periphery of the
better-known Marcus Garvey. Indeed, Taylor argues that Marcus Garvey’s UNIA and
the Pan-Africanist message would not have spread so widely without the
dedication, intellectual prowess, insightful writing, and life-long activism of
Jacques Garvey.
Perhaps the most obvious theme of the biography, Taylor
emphasizes community feminism and defends calling it feminism. Basically, it
encompasses all the actions, caretaking, and activism of black women for the
community’s benefit because community
feminism counters a macropolitical model that implies there is something
inherently "pure" or "essential" to feminist theory. By
reorienting black feminism to these community-based activities that uplift the
entire black community, Taylor endeavors to reconcile black feminism in the
UNIA’s patriarchal structure. However, community feminism within the patriarchal
context of the UNIA included male chauvinism, expectations of female
subordination in the home and public, and traditional gender roles, making it
difficult to reconcile the two views. Black nationalism and feminism can be
reconciled, something exemplified by Amy Jacques Garvey’s personal life of
resisting male authority, writing a column in Negro World for women, and thrusting herself
into public and political spaces, such as the Fifth Pan-African Congress or
Jamaican political parties such as the PNP.
In addition to
highlighting the instrumental role of Jacques Garvey for the intellectual
development and a lot of the organizing for the UNIA’s success, she was also an
independent thinker and more leftwing than Garvey. Though often essentializing
the African diaspora at times to bolster her claims for a united African
diaspora, she possessed a more class-conscious and
internationally-minded view of Pan-Africanism that deviated from the self-help,
pro-capitalist attitudes of the UNIA. She never succumbed to redbaiting, and
perhaps because of personal experience with raising children as a woman with
limited income, fully defended more socialist-minded governments and policies
to benefit workers and support social programs. In postcolonial Africa, for example,
Jacques Garvey opposed African capitalism that would perpetuate the oppression
of the African working masses and poor. She also opposed capitalist governments
of Jamaica that resisted investing in public services and a safety net for
Jamaica’s overwhelmingly poor, black majority.
Jacques Garvey
went to Africa for the first time in the 1960s, something never done by Marcus Garvey,
to see the independent West African nations of Nigeria and Ghana. Invited as a
special guest of Nnamdi Azikiwe, Jacques Garvey was clearly connected to
Pan-Africanist causes and anti-colonial struggles in a way that suggests a
better understanding and approach than her deceased husband. Jacques Her actual
involvement and relationship with broader Pan-Africanism, especially after the
death of Garvey, was also more expansive, far-flung, and connected to
anti-colonial leaders and movements, as well as promoting specific policies and
plans such as reading groups and pen pals across the African diaspora and
Africa to strengthen racial unity in opposition to white supremacy and
colonialism. Her collaboration with other Pan-Africanists such as George
Padmore and W.E.B. Du Bois, as well as emerging anti-colonial leaders like Jomo
Kenyatta of Kenya connected her with African diasporic figures her husband had
a poor relationship with while also showing closer relationship and alliance
with African activists. Instead of the old UNIA narrative of African diasporic
blacks redeeming Africa through a paternalistic or condescending notion of
blacks from the Americas bringing civilization to Africa, Africans have a key
role as allies and participants in the creation of the Pan-African goal.
Taylor also
explains that Jacques Garvey never fought for some romantic “Back to Africa”
movement in the sense it is usually thought of, but rather an effort to
overturn colonialism, white supremacy, and raise the living standards of black
people everywhere by giving the race more international power and respect. Her
critique of the PNP’s refusal to espouse black power or unity in Jamaican
politics, coming from a member of Jamaica’s mixed-race elite, is an example of
her use of blackness as resistance politically for leftist social policies and
Pan-Africanist causes. Taking this into consideration, Jacques Garvey emerges
as a savvy political player, intellectual, and ideologue whose stances, though
similar to the UNIA, were more engaged in promoting black unity and power in
Jamaica, Africa, and the US from a radical leftist perspective than her late
husband.
This much needed
biography of Jacques Garvey, useful for uncovering an entire dimension of the
life of Marcus Garvey, also displays her own neglected contributions to
Pan-Africanist and black nationalist politics. She felt ignored and thrust to
the backburner of history herself, but Taylor’s biography revives her many
contributions to a form of black nationalism often seen as patriarchal.
Instead, a more nuanced view lends credence to the reconciliation of community
feminism and black nationalism based on the life of Jacques Garvey, whose
intellectual, personal, and independent contributions and leadership to the
UNIA, Pan-Africanism, and leftism were essential for the success of
anti-colonial struggles and black liberation in the US. Indeed, Jacques Garvey
understood the Black Power era’s origins as heavily derived from the UNIA and
forms of Pan-Africanism she developed through decades of work. Placed in this
broader context, Jacques Garvey’s contributions to black nationalism earn their
rightful place in the history of black feminist nationalism as well as showing
the interplay of feminism, leftism, Pan-Africanism, and decolonization in the
20th century.
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