Fernand Hibbert's final novel, Les Simulacres, is a short text satirizing the author's own social class in the context of the US Occupation (1915-1934). Published in 1923, when the author could not have foreseen exactly how the Occupation would conclude, it is often ambivalent about the American presence. This is not an anti-Occupation work like the novels of the 1930s, but more akin to Hibbert's earlier works satirizing the Haitian bourgeoisie for their vanity, corruption, venality, and mismanagement of Haitian political, social, and economic life. As a far shorter text than, say, Les Thazar, and a smaller cast at that, it does not quite succeed in satirizing every social type among the Haitian upper-class, though it does reintroduce past characters such as Brion and Gérard Delhi. Brion, as one would expect from events in Les Thazar, has not married, is perhaps bitter, and seems to be amused by the various foibles of his social class.
By reviving past characters, Hibbert's former mouthpieces from the ancien regime can return as the this tale mocks the foolish and arrogant Hellénus Caton. Caton, a former politician who became wealthy through graft and corruption before the Occupation, is now ardently opposed to the Americans (but only due to their refusal to consider him for the post of president). Being a Simulacre means one who uses "mensonges derrière lesquels les hommes masquent la vérité, ou leur intérêts et leurs appétits." He falls prey to a Cuban swindler who proceeds to conjure a story of occult knowledge and miracles so that he has an excuse to get close to Cephise, Caton's beautiful wife. Needless to say, Pablo Alcantara makes a fool of Caton, having him wait outside in the middle of the night, nude, looking at the moon, while he proceeds to make love to his wife for seven consecutive nights. In short, this is the basic plot of the text, a Cuban foreigner swindling a Haitian bourgeois male of wealth and women. Brion, as perhaps the only redeeming bourgeois, intervenes to ensure a (somewhat) happy ending in which Cephise stays with her husband, but Caton never recovers.
Like Brion in Les Thazar, Caton cannot compete with the foreign male, although in this case Pablo Alcantara is not a successful German but another faker, from a country also under the tutelage of the US. Since Hibbert was the Haitian consul in Cuba, one can presume his use of a Cuban Simulacre is itself part of the text's anti-imperialist critique, as Pablo Alcantara knows very well how Cuba, like Haiti, is a pawn in the US Empire. Hibbert, stationed in Santiago de Cuba, would have known very well the degree to which US influence was paramount in the neighboring Caribbean nation, and may have possessed solidarity for Cubans based on past alliances against imperialism before Cuban independence. Perhaps Hibbert was trying to suggest, much like Naipaul several decades later, how the people of the Caribbean have become mimic men, lacking in proper comportment as befits independent people of independent nations. Pablo Alcantara, much like Caton, is another such case, exploiting the ignorance and credulity of others in much the same way Caton and his ilk have done similar actions in Haiti before the US Occupation. Thus, Pablo Alcantara is an interesting type of foreigner in the works of Hibbert, possibly a callback to the various Caribbean peoples represented on the ship en route to France in Séna. He likewise represents a change in the Haitian elite perception of Cubans as positive immigrants in Haiti, since he does not produce, teach, apprentice, or employ anyone.
As is the case with Les Thazar, most of the plot advances through the dialogue of these aforementioned characters (plus their domestics and a few additional acquaintances). So it is often through their exchanges that much of the novel's humor derives. These conversations entail Cato the Younger, ancient Rome's rise and fall, Creole and French in Haitian literature, the Cuban passion for love and duels, education and literacy campaigns, the motivations of the Occupation (to build a naval base?), the lack of unity among Haitians, and the lack of rain in Port-au-Prince. The novel's final chapter addresses the reader, specifically the Haitian mother, to raise their children to obey and never lie, to produce a better generation of citizens and ensure the survival of the nation. Using Rome, imperial Germany, tsarist Russia, and the "Orient" as examples of what happens when the lack of liberty takes hold and injustice prevails, leading to social decay or ruin, the novel adopts a direct moralizing tone. While this detracts from the bitterly satirical tone of the rest of the text, it makes it clear how the US Occupation, in the eyes of Hibbert, has not uprooted the Simulacres and fakers, and a return to ancien regime ways will lead down a path toward destruction.
Needless to say, Hibbert's account does not include the caco resistance or nascent unrest from the peasantry or lower classes. The Haitian workers in Cuba, with whom Hibbert was fully aware, do not enter into the picture despite Cuban emigration being a key aspect of the US Occupation's influence. A communist revolution or "Grand Soir" of Delhi are only mentioned humorously, suggestive of the venal and ignorant nature of Caton and the fear of popular revolt. So one presumes that Haiti's salvation will be found among the non-Simulacre of the elite. They alone will be able to direct the nation progressively during and after the occupation and ensure a return to full liberty of the press and other rights. They, and only they, can ensure expanded primary education and adult literacy, with the recent example of Lunarchsky in the Soviet Union cited positively. Unsurprisingly, Hibbert's Simulacres is thus a continuation of the same class and gender politics of his early novels, but accompanied by a heightened sense of alarm at the prospects of national survival if the Simulacres are not held at bay after the Americans leave. Unfortunately, the Simulacres never left after 1934...
By reviving past characters, Hibbert's former mouthpieces from the ancien regime can return as the this tale mocks the foolish and arrogant Hellénus Caton. Caton, a former politician who became wealthy through graft and corruption before the Occupation, is now ardently opposed to the Americans (but only due to their refusal to consider him for the post of president). Being a Simulacre means one who uses "mensonges derrière lesquels les hommes masquent la vérité, ou leur intérêts et leurs appétits." He falls prey to a Cuban swindler who proceeds to conjure a story of occult knowledge and miracles so that he has an excuse to get close to Cephise, Caton's beautiful wife. Needless to say, Pablo Alcantara makes a fool of Caton, having him wait outside in the middle of the night, nude, looking at the moon, while he proceeds to make love to his wife for seven consecutive nights. In short, this is the basic plot of the text, a Cuban foreigner swindling a Haitian bourgeois male of wealth and women. Brion, as perhaps the only redeeming bourgeois, intervenes to ensure a (somewhat) happy ending in which Cephise stays with her husband, but Caton never recovers.
Like Brion in Les Thazar, Caton cannot compete with the foreign male, although in this case Pablo Alcantara is not a successful German but another faker, from a country also under the tutelage of the US. Since Hibbert was the Haitian consul in Cuba, one can presume his use of a Cuban Simulacre is itself part of the text's anti-imperialist critique, as Pablo Alcantara knows very well how Cuba, like Haiti, is a pawn in the US Empire. Hibbert, stationed in Santiago de Cuba, would have known very well the degree to which US influence was paramount in the neighboring Caribbean nation, and may have possessed solidarity for Cubans based on past alliances against imperialism before Cuban independence. Perhaps Hibbert was trying to suggest, much like Naipaul several decades later, how the people of the Caribbean have become mimic men, lacking in proper comportment as befits independent people of independent nations. Pablo Alcantara, much like Caton, is another such case, exploiting the ignorance and credulity of others in much the same way Caton and his ilk have done similar actions in Haiti before the US Occupation. Thus, Pablo Alcantara is an interesting type of foreigner in the works of Hibbert, possibly a callback to the various Caribbean peoples represented on the ship en route to France in Séna. He likewise represents a change in the Haitian elite perception of Cubans as positive immigrants in Haiti, since he does not produce, teach, apprentice, or employ anyone.
As is the case with Les Thazar, most of the plot advances through the dialogue of these aforementioned characters (plus their domestics and a few additional acquaintances). So it is often through their exchanges that much of the novel's humor derives. These conversations entail Cato the Younger, ancient Rome's rise and fall, Creole and French in Haitian literature, the Cuban passion for love and duels, education and literacy campaigns, the motivations of the Occupation (to build a naval base?), the lack of unity among Haitians, and the lack of rain in Port-au-Prince. The novel's final chapter addresses the reader, specifically the Haitian mother, to raise their children to obey and never lie, to produce a better generation of citizens and ensure the survival of the nation. Using Rome, imperial Germany, tsarist Russia, and the "Orient" as examples of what happens when the lack of liberty takes hold and injustice prevails, leading to social decay or ruin, the novel adopts a direct moralizing tone. While this detracts from the bitterly satirical tone of the rest of the text, it makes it clear how the US Occupation, in the eyes of Hibbert, has not uprooted the Simulacres and fakers, and a return to ancien regime ways will lead down a path toward destruction.
Needless to say, Hibbert's account does not include the caco resistance or nascent unrest from the peasantry or lower classes. The Haitian workers in Cuba, with whom Hibbert was fully aware, do not enter into the picture despite Cuban emigration being a key aspect of the US Occupation's influence. A communist revolution or "Grand Soir" of Delhi are only mentioned humorously, suggestive of the venal and ignorant nature of Caton and the fear of popular revolt. So one presumes that Haiti's salvation will be found among the non-Simulacre of the elite. They alone will be able to direct the nation progressively during and after the occupation and ensure a return to full liberty of the press and other rights. They, and only they, can ensure expanded primary education and adult literacy, with the recent example of Lunarchsky in the Soviet Union cited positively. Unsurprisingly, Hibbert's Simulacres is thus a continuation of the same class and gender politics of his early novels, but accompanied by a heightened sense of alarm at the prospects of national survival if the Simulacres are not held at bay after the Americans leave. Unfortunately, the Simulacres never left after 1934...
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