Tuesday, December 20, 2016

Howards End

I only know Foster's classic through Zadie Smith's On Beauty, but I felt it was necessary to read Howards End. After reading Forster's "The Machine Stops," my interest in Forster only grew. However, Howards End is achingly slow, albeit quite philosophical, and perhaps is too optimistic about the future of English class relations and a synthesis of the English practical character and German idealism. Nonetheless, it is rewarding to see where Smith's fascinating novel comes from, despite their radical differences in setting and the racial themes of Smith's work. However, Foster, in his own way, was quite critical of Empire and the ascendant commercial classes, which leaves him relevant to posterity, though the characaters of Howards End are by no means radicals. It's a shame that such an optimistic novel of the future would be broken by World War I and renewed German-British conflict. For the urban/rural character of the novel (London versus the provinces) and the hybrid German-English protagonist, Margaret, one sees how this novel influenced Zadie Smith.

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