Shiva Naipaul's Fireflies

"Having from early on, confused religion with magic, they had come to hold the majority of religions in a superstitious dread, genuinely afraid of the vengeance rival gods might let fall on the clan should they be offended."

Shiva Naipaul, younger brother of V.S. Naipaul, wrote an epic comedy which possibly surpasses A House for Mr. Biswas. An alternative title could have been A House for Mrs. Lutchman given the shared style, themes, and content, but Shiva Naipaul's Mrs. Lutchman is a far more compelling female character than anyone in his brother's work. The hilarious Hindu clan, the Khojas, the gradual dissolution of the patriarchal nucleus binding the family together, the various marriages and dispossessions Mrs. Lutchman experiences, and last, but certainly not least, the hilarity which ensues in what is truly a tragic set of circumstances for the protagonist manage to make for a successful novel. Shiva Naipaul's Khoja family not only entertains, but imports many lessons on family, social change, religion, culture, and the shifts in Trinidadian life. Like fireflies caught in a jar by the brother Khoja, the sisters and Vimla gradually escape, but Mrs. Lutchman loses the most with the loss of her independence, husband, and son.  

When it comes to compelling female characters, Shiva Naipaul's Mrs. Lutchman is a more likable, nuanced character than most of V.S. Naipaul's fictional women. Both share similar comic sensibilities, but one wonders if Shiva's more sympathetic female protagonist is the result of his father dying when Shiva was rather young, whereas their father lived long enough to see Vidia reach adulthood and shape his work? We know Mr. Biswas is based on their father, but maybe Shiva looked more to their mother as a model for Fireflies, which could explain a more nuanced, female protagonist for what Christopher Hitchens described as a masterpiece in tragicomedy. Regardless of his inspiration, Fireflies is one of those rare reads which transport one to another time, place, and culture during a period of rapid change. Timeless, humorous, informative, and, in its own way, potentially feminist, if one looks to the Khoja sisters and the next generation.