Jackie
McLean’s “Plight” is a deliciously catchy, quirky jazz piece.
Bobby Hutcherson’s vibes and the bassist keep it together with a
very simple head and nice additional horns from McLean and the
trumpeter in a call and response introduction. It’s actually quite
deceptively simple, the head and vamp provided by Hutcherson. One can
see this as an instance of McLean again experimenting with
avant-garde influences in 1960s jazz, almost sounding like a
composition by Grachan Moncur III, who was instrumental for the
success of McLean albums such as Destination
Out!.
McLean’s solo, restrained exuberance, goes into the direction of
less bop-rooted blowing, and the drummer, Billy Higgins, keeps things
funky and utilizing the entirety of the drumset. The subsequent
trumpet solo, is also restrained but nothing compared to McLean or
Hutcherson’s vibes , who take a melodic route while never straying
far from the melody. In some ways, it is a quirky composition one may
expect from someone like Andrew Hill or Moncur III. Higgins’
spirited drumming, sounding like Elvin Jones at times, is pleasant to
the ears and a sign of his expertise in performing not only in hard
bop but modal and avant-garde jazz albums, as his work on Let
Freedom Ring or
The
Shape of Jazz to Come reveals.
Furthermore, something about Hutcherson’s playing is reminiscent of
his own “Verse,” an introspective composition modeled on
Coltrane’s “Spiritual” while featuring McCoy Tyner. As the
title suggests, plight or danger or doom seems imminent in this dark
tune, although it seems undefined or unknown. The rest of the album is quite good, too, stuck somewhere between hard bop and rousing numbers like "Hootnan" and bebop-based tunes such as the title track.
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