Reichel-Dolmatoff's The Shaman and the Jaguar: A Study of Narcotic Drugs Among the Indians of Colombia is one of those detailed studies of a South American tropical lowland population with potential relevance for the Taino. Although the Tukano live in the Colombian Amazon region and are rather far removed from the Antilles, they share a reliance on manioc, consumption of hallucinogens, ritual purging and fasting and shamanistic practices with the Taino peoples. Indeed, when Reichel-Dolmatoff begins the book with a historical overview, it becomes rather clear that the Taino peoples shared some of these deeply-held and cherished beliefs like the Tukano. Indeed, the prominence of the shaman in healing and the art inspired by hallucinations from using drugs suggests a very deeply rooted use of plants for hallucinations and entry into the other realms. Where the Desana and other related groups differ, however, is the lack of powerful chiefs. Based on Reichel-Dolmatoff's work, one can say that most Tukano in the Vaupes River region lived in malocas with headmen, but the headmen were not nearly as powerful as, say, the caciques were reputed to be. Instead, the indigenous peoples of this region of Colombia resided in exogamous groups who followed similar prohibitions on incest. Their neighbors, including an Arawakan group and the use of Lengua Geral (Tupi), connected them to other ethnic groups who, in the distant past, may have frequently went to war.
In spite of the significant differences between the Tukano and the Taino, one can still find utility in this book for understanding elements of Taino art and culture. The role of phosphenes in the visions seen by the Tukano after yaje and other rituals, for instance, has a direct impact on the decoration motifs and styles used in ceramics, gourd rattles, and house paintings. In addition, some of the vivid images, shapes and colors seen by the Tukano are always interpreted via cultural norms and mythological beliefs. The Taino case was likely similar in which certain recurring motifs and geometric patterns likely reflect the use of cohoba and long-term impact from its use. It is also possible that the Taino Sun lore and astronomical lore likely reflected a possibly similar belief in the role of the Sun, Moon, Stars, and the origins of humanity, culture heroes (like Deminian) and the creation myths. While there may only be a few superficial parallels between the two cultures, the Taino mythology, or the fragments of it available from Pane, indicate similar incest taboos and beliefs in bush spirits and possible anthropomorphic animals. However, without the amazing jaguar and other large feline predators, the island population of the indigenous Caribbean may have mythologically substituted the jaguar with a type of dog and other animals. This may explain some of the elaborate duhos with human and animal features. Moreover, the Taino may have also restricted at least some of the cohoba rituals to males, although we lack enough evidence to understand gender dynamics of Taino shamanism and the ingestion of hallucinogens.
Overall, Reichel-Dolmatoff's work reveals an important role played by yaje and other substances in Tukano ritual, society, and myth. The historical overview of Colombia's indigenous peoples indicates shared or similar practices, such as the Kogi and Muisca. The paye or shamans of the Tukano are, of course, products of specific historical, cultural, and geographic conditions. That said, their practice, background, and intellect suggest possible ways to interpret the Taino behiques of the pre-Columbian Antilles. A study of shamans, hallucinogens and jaguar transformation among coastal lowland populations in northern South America would be even better for our purposes. That said, without an animal comparable to the jaguar, one wonders how Taino beliefs in transformation and possibly perspectivism may have operated. Were there similar beliefs about the role of transforming into a type of dog that allowed one to violate social norms on sex and violence? And is Reichel-Dolmatoff too obsessed with applying a Freudian analysis emphasizing sex in every aspect of Tukano myth and ritual?
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