Thursday, June 25, 2015

Eroshima

"Incredible! The idea for this book came upon me one day, suddenly. An image. This one: a young couple making love in the city of Hiroshima, the morning of the atomic Bomb, in 1945. The Bomb falls at the very instant they attain orgasm. Eros and Hiroshima. Eroshima. Sex and Death. The world's two oldest myths."

Eroshima is one of Dany Laferrière's weaker novels. While hardly a single narrative (the text shifts to different characters, sometimes famous individuals as well as the autobiographical narrator), the themes of sex and death are explored by the black writer who examines Japan, identity, interracial romance, and the constant threat of destruction wrought by the Bomb. Thus, at the most basic or primordial level, the text is about life and death, creation and destruction. Unfortunately, the novel does not really go anywhere as in other Laferrière novels, but I do love the intertextuality, allusions, and influence this work has one future works, especially Dining With the Dictator and I Am a Japanese Writer, which feature lesbianism, Japanese culture and literature, a group of young women, and even some of the same characters. 

Laferrière's sense of humor is engaging and includes fictionalized versions of famous writers, including V.S. Naipaul, visiting Port-au-Prince with the young women who appear in Dining With the Dictator. Haiku, Japanese tea ceremonies and cuisine, and even Basquiat populate this bizarre and seemingly disjointed novel. As in other tales by the author, the city of Montreal (also, New York City) is the main setting of this story in which the fictionalized version of the author comments on race relations and interracial sex, just as in How To Make Love to a Negro Without Getting Tired. Laferrière's gift for prose also helps carry this novel. Last, but certainly not least, I am impressed by how many objects or persons symbolize the Bomb in this text. It's rich in detail, description, and humor for such a short read. 

Favorite Quotes

"The battle of Zen and Voodoo."

"The first man on the planet was black. The last will be black, too. A Negro in repose."

"The volcanic sexuality of the jungle versus the careful sensuality of Kyoto, Black versus yellow."

"Lennon died so a Negro could make it with a Japanese girl."

"Lao Tsu says that everything comes to he who knows how to stay in bed."

"The fate of Judeo-Christian civilization hangs in the balance, at this very moment, between a black and a Japanese woman born in Los Angeles."

"One of those sunsets whose beauty burns your eyes. A marvel of copper fusion. A show of incredible delicacy created by pollution. There's nothing like smog to create such magnificent sunsets."

"I am interested only in cliches, and the foremost cliche concerning Japan is eroticism."

"The Apocalypse will come, of that there is no doubt, on a magnificent summer's day. The kind of day when the girls are more splendid than ever. It has been said that no one will be recognizable afterwards."

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