Sunday, April 30, 2023
La dit de la Fleur
Saturday, April 29, 2023
Herencia Taina
Friday, April 28, 2023
Caonabo & Anacaona
Wednesday, April 26, 2023
Anacaona's Martyrdom
Agüeybaná
Tuesday, April 25, 2023
Marx in the Prehispanic Antilles
Saturday, April 22, 2023
Anacaona's Royal Diary
Friday, April 21, 2023
Ti-Carole
Thursday, April 20, 2023
Caciques and Cemi Idols
Caciques and Cemi Idols: The Web Spun by Taino Rulers Between Hispaniola and Puerto Rico by José R. Oliver is a challenging read. Drawing from more recent scholarship that challenges the paradigm of Irving Rouse and past generations of archaeologists, Oliver focuses on the political-religious dynamics of Taino civilization through caciques and cemí idols. Pushing back against Rouse, Oliver sees Tainoness as a complex mosaic of societies (mostly) in the Greater Antilles, with diverse histories of interactions with the Archaic societies in the region. However, intense interactions and mobility linked this mosaic of societies and polities (perhaps peer chiefdoms and heterarchy is more accurate for the sociopolitical character of precolonial Puerto Rico and other islands), especially Puerto Rico and Higuey in Hispaniola.
Moreover, Oliver contextualizes Taino religion through a multinatural, animistic cosmos similar to perspectivism among South American indigenous populations. Through that lens, the Taino cemí represents a state of being in which even deceased forebears can become cemífied. Due to their animistic, multinatural worldview, the Taino also believed humans, animals, and objects like stones or wood have personhood. However, this personhood was dividual, partible, permeable and fractal. This belief, plus the use of cohoba for communing with a cemi probably explains the fusion of human and animal features in some Taino art. Clearly, Oliver is suggesting a rather different model for understanding Taino religion than that of Arrom, but one that may be more accurate than Arrom's assumption of a Western-like individualist perspective. Either way, it suggests Taino religion was part of a much deeper history of cemí religious practices, one that may have begun as early as 700 AD.
Most of Caciques focuses on the different types of cemí idols, such as trigonoliths and face masks, and the close relationship between said idols and cacique political authority. Cemí figures could be inherited, stolen, gifted, or exchanged in a complex set of ways that linked caciques to each other, as well as lineage groups and alliances. As persons or beings invested with personhood, a cemí could develop a lengthy biography and become part of an epic history of a cacique, their lineage, or community. This helps explain why Ramón Pané reported some were able to flee or run away, or others were very human-like. For our purposes, it would be excellent to know, if possible, the extent to which the cemís described in the famous account by Pané were objects of specific veneration across Hispaniola, Puerto Rico, Jamaica, and parts of Cuba.
The remainder of the book shifts to the thorny question of acculturation, transculturation, assimilation and the post-conquest conditions of Taino religion. As the political system was deeply embedded in their religion, the Spanish conquest sought to destroy both. Through native alliances, they were able to defeat the indigenous polities of Hispaniola and Puerto Rico. With the death of the cacicazgo, suppression of cohoba and cemis, Taino religion was irrevocably changed. However, aspects of Marian devotion in Cuba and archaeological evidence there suggest possible Taino influence. Early glimpses of it could be seen in the 1490s in Hispaniola and early Cuba, where some Taino adopted icons of the Virgin as another type of cemi. Perhaps most interesting was the way in which some caciques used Catholic icons against rival native chiefs. Even more impressive, Agueybana II's rebellion and the long-lasting resistance on Puerto Rico actually sought to spread indigenous rebellion to Hispaniola through their web of related kin and political allies in Higuey! Unfortunately, the movement in Hispaniola was defeated before it could have been implemented. Nonetheless, it was an interesting example of how caciques in Puerto Rico and Hispaniola continued to consult their cemis and used the guidance of said beings to guide their rebellions against Spanish authority. That type of resistance was eliminated with the destruction of the cacique's political authority's religious basis, the cemi.
Sunday, April 16, 2023
Lee Konitz & Bossa
Wednesday, April 12, 2023
Taino Legacy in Hispaniola
After reading Guitar's dissertation, one begins to see even more clearly how important the "Taino" past is to the formation of the Dominican Republic and, by extension, all of the Spanish Antilles. Beginning with a detailed overview of the known facts and characteristics of Classic Taino civilization before 1492, Guitar draws on the chronicles, archaeology and, in some cases, common sense, to argue for the centrality of indigenous people, customs, and traditions in the making of the creole culture of Hispaniola. The African legacy, of course, is obvious and undeniably important, too. But seeing evidence of Taino and "Indian" survival and persistence in Hispaniola after the mid-1500s is fascinating. We have some questions about the later censuses and sources, naturally. Yet the fact that thousands of "Indians" of local and foreign provenance continued to live on Hispaniola after their alleged extinction helps elucidate why the indigenous legacy was and is so significant for the formation of creole cultures in the Spanish Caribbean. And despite the differences between Hispaniola and, say, Puerto Rico, one can arguably see a similar process in which indigenous persistence long after 1542 helps explain the elements of cultural (and biological) continuity observable in Puerto Rico. Whether or not this history justifies neo-Taino movements or reclamation, however, is another question.
Pra Que Discutir Com Madame
Madame diz que o samba tem cachaça, mistura de raça mistura de cor,
Madame diz que o samba democrata, é música barata sem nenhum valor,
Vamos acabar com o samba, madame não gosta que ninguém sambe
Vive dizendo que samba é vexame
Pra que discutir com madame.
Monday, April 10, 2023
Bainet Rural Home
Sunday, April 9, 2023
Early Spanish Caribbean Society
Saturday, April 8, 2023
Prepárense
Friday, April 7, 2023
Lejos de Ti
Wednesday, April 5, 2023
Cave of the Jagua
Monday, April 3, 2023
Doce de Coco #2
Portuguese is the language of light. And even better, this rendition of "Doce de Coco" slows down the tempo and makes it a little easier for the rest of us to sing along.